The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.
A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.
Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."
While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.
It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.
The next date of hearing in the case is June 11.
11 June
Date of the next hearing in the case
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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.
On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.
Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.
Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.
"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."
Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.
"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."
He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.
"Not a single police officer informed us about his death," Rakesh told mid-day.
Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.
16 April
Day the two priests and their driver were lynched
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COVID-19 has now reached the doorstep of the state government, with four Mantralaya staff members testing positive for it. The state health department officials confirmed 27 deaths in Maharashtra, which was the highest number reported in a single day and the state's count of cases climbed to 8,590.
Civic officials said that of the four Mantralaya staffers, three tested positive on Sunday while one was confirmed on Monday. "They were on duty and include a sweeper and a driver. Contact tracing is underway and we will test the high-risk contacts," said a civic official. The official added that a portion of Mantralaya may be cordoned off if necessary. Guardian Minister Aslam Shaikh said that the staffers were taken to Kasturba Hospital for testing.
Four more ward boys of the TB Hospital in Sewri tested positive on Sunday taking the total count of infected staff members to 14. "One of the ward boys had directly gone to Kasturba Hospital and was admitted with symptoms. He has been shifted to the ENT Hospital. Two others are Thane residents and had sore throats," said Dr Lalitkumar Anande, medical superintendent of the TB Hospital, adding that two of the ward boys have been kept in isolation at the staff quarters.
No new cases in Mahim, Dadar
The number of cases in Dharavi continued to rise with 13 new cases reported on Monday. Majority of the new patients were senior citizens taking the total count in the area to 288. Civic officials said that no new cases were reported from Dadar and Mahim for three consecutive days and while 17 patients were discharged from Dadar, nine were discharged from Mahim on Monday.
The cumulative cases in Mumbai city are 5,776 while the total cumulative deaths here are 219. State health officials said that there were 522 new cases in Maharashtra, of which 369 were from Mumbai. Of the 27 deaths, 15 were from Mumbai, six in Amravati, four in Pune and one each in Jalgaon and Aurangabad. Among the deceased patients, 22 suffered from other ailments including diabetes and hypertension.
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To increase efficiency, effectiveness of patrolling and to give the city's foot soldiers some much-needed rest, the Mumbai police department has decided to adopt a new duty pattern.
Under the new pattern, the constabulary and officers will have to work 12 hours post which they will get a 24-hour break. Apart from doctors and health workers, cops too have been busy fighting the COVID-19 pandemic on the frontline. However, after constables (three already) started losing their lives to COVID-19, the top brass decided to set up a new duty pattern.
Accordingly, a new 12-hour shift has been introduced in the force. In this, personnel at police stations will be divided into three units, each working a 12-hour shift. "Duty will start at 8 am and end at 8 pm, when the next batch will come for night duty," a senior police officer said. "Whichever cop finishes his/her 12-hour duty at night, they will go home and come back to work the next day at 8 pm," added the officer.
This duty pattern will give each officer rest of a good 24 hours. "Even if this duty looks like 12 hours, a lot of multitasking is expected on this job as it includes patrolling, nakabandi and other activities. This makes cops new duty timings doable in such tough situations. As there are hardly any crimes happening in the area, the duty load has reduced," another a senior police officer said.
"Also, when an officer or constable gets more than 12 hours off, they can look after the families and their own health which will improve their immunity," the officer added.
Out of 94 police stations, 74 have adopted the new duty pattern and the rest will follow. "This duty pattern does leave me with a smaller force, but it reduces their exposure to the virus. As a frontline worker, we can't think about avoiding crowded places, but we can be well prepared for it," a senior Inspector from Eastern Region said.
"We have given instructions to all Zonal DCPs to chalk out a plan which will give a 12-hour duty and 24-hour rest to cops. We have to take care of our men, too. Currently, feedback from cops is good," Mumbai Police Commissioner, Param Bir Singh said.
A third cop has died from COVID-19, taking the casualty toll among city cops to three. Head Constable Shivaji Sonawane, 56, attached to Kurla Traffic division, died on Monday. He was turned down by four hospitals on April 21, when his 25-year-old son tried tp get him admitted. Sonawane, a resident of Kurla's Kamani area, had a fever since April 20. The GP gave him medication and advised him to visit a hospital if he did not get relief. His fever did not subside and he started to feel breathless.
Sharad, Sonawane's son, took him to Rajawadi Hospital, Ghatkopar, on April 21, to get him admitted, but was told to take him to Kasturba. He was turned out at Kasturba, over no beds and at Nair and KEM too. Finally, it was after Kurla traffic division in-charge spoke to the Bhoiwada senior inspector that Sonawane was admitted at KEM Hospital.
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The Brihanmumbai Municipal Corporation (BMC) on Monday claimed that around 75 per cent of the nursing homes in the city have restarted services, after its warning of cancelling their licences if they did not do so, on Saturday. The municipal commissioner has ordered the cancellation of licences of the remaining 25 per cent nursing homes. Action will also be taken against private clinics who continue to remain shut, under the Epidemic Diseases Act, 1897.
Warning issues
The associations of doctors, nursing homes have expressed fear to work during the COVID-19 pandemic without proper safety kits and strict guidelines. The BMC has several times offered to provide safety kits but most private clinics and nursing homes remain closed due to fear of transmission of COVID-19. On Saturday, the BMC warned nursing homes and clinics to restart immediately and refer patients who have symptoms of COVID-19 to its centres. On Monday, the BMC claimed that out of 1,416 nursing homes, 1,068 have restarted their service. "Out of 99 dialysis centres, 89 are working," said an officer with the health department of the BMC.
According to the press note issued by the civic corporation, the municipal commissioner has ordered the health department to start the process of cancelling licences of the 348 nursing homes which haven't started services yet.
Mayor Kishori Pednekar visited Nair hospital to meet the nurses
Kishori Pednekar, mayor of Mumbai and a former nurse, donned on a nurse's uniform and visited the COVID-19-only Nair hospital on Monday morning. She was there to encourage nurses. The mayor will visit Sion hospital on Tuesday to communicate with nurses. Pednekar followed social distancing norms during her visit. "I was a nurse by profession and am aware of their challenges. I am getting many calls from nurses and their parents who expressed fear. This is a challenging time and we all should fight the pandemic," said Pednekar.
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After the death of three police personnel due to COVID-19, the Mumbai police are telling constables aged above 55 years and those having existing ailments to immediately proceed on leave. The option for the paid leave was made available on Monday and will last till the lockdown.
Accordingly, the police top brass has directed police stations and traffic divisions to give leave to such constables. If a constable still wishes to come to work, he will be allowed to.
Traffic cops are most vulnerable as their work involves highest people-to-people contact
The three deaths in the Mumbai police workforce occurred within 48 hours. Wanting to save the rest of their colleagues who might be especially vulnerable, senior officers have given clear instructions.
"We have given orders to police stations and traffic divisions to give leave to constables aged beyond 55 years. Those having serious health issues have also been advised to take rest," said Param Bir Singh, commissioner of Mumbai police.
A policeman checks a car at Bhendi Bazar. Pic/Ashish Raje
"On Sunday, we asked for information from the headquarters about constables aged between 50 to 52, 52 to 55 and 55 to 58 years and any ailments they might have," said a senior police officer on condition of anonymity.
Health experts have observed that people aged above 50 and having health issues such as diabetes, asthma and heart conditions are more susceptible to the Coronavirus. "Since the beginning of the lockdown, we had asked our senior inspectors and traffic division in-charges to assign desk duties to constables aged above 50 years, with minimal contact with outsiders," said another officer. "Yet we lost three personnel. Hence, we are enforcing the policy further to avoid more fatalities," added the officer.
Deputy Commissioner of Police and spokesperson for Mumbai police, Pranaya Ashok said, "The message is loud and clear — cops aged above 50 should not be posted in hotspots or in containment zones. In fact, they should serve for tasks that involve minimum social contact. Now we are going a step forward by giving constables aged above 55 years the option to go on leave."
"Enforcing law and order is our priority but saving the lives of our men is also our duty. Therefore, we have given such constables the option to stay home April 27 onwards till the end of the lockdown. Traffic cops have the most contact with people, making them the most vulnerable," said a senior officer from the traffic police.
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With the Railways refusing to comply with Maharashtra's request to help migrants reach their hometowns, the state government is working out its own plans to despatch them. Sources said the government has roped in the Maharashtra State Road Transport Corporation (MSRTC) for help.
An internal plan of just one district — Yavatmal by MSRTC (a copy of which is with mid-day) has revealed that it has lined up 115 buses to 15 state capitals. In an unprecedented gesture, these buses will travel around 1,000 to 1,800 km to drop off over 2,000 migrants and return back to base. Mentioning about the cost element, the letter has sought a sum of R1.35 crore from the district collector to release the buses as per the plan.
Labourers wait in a queue to collect Ifatri food packets at Kidvai Nagar in Wadala on Monday
Sources also said that the state government is negotiating with other states to accept the proposal and two states - Odisha and Uttar Pradesh have displayed readiness. However, a few states have claimed that they do not have enough money to arrange transportation for the migrants and also conduct the COVID-19 testing at the same time. Therefore, they want either Maharashtra or the Union government to spend on transportation which can be a contentious point in the entire deal.
However, MSRTC officials said the plan was still under consideration and nothing has been finalised yet.
Moreover, MSRTC and transport department officials said that meetings have been held at Mantralaya about these issues and discussions have been going on with various stakeholders. But as of now, no final decision has been taken yet.
The delay is because it involves stakeholders from other states and there are issues like streamlining the process and to develop a standard operating procedure to allow Maharashtra state buses into their state borders. A comprehensive plan involving all stakeholders needs to be arrived at so that the transport becomes smooth from end to end. This is besides the decision of who will bear the expenses of the journey.
Buses for students in Raj?
The MSRTC has also proposed to run another 91 buses from six bus depots to get about 1,764 medical students stranded in Rajasthan back home. Sources said since it is a long road journey, the buses will have two drivers. Of the 1,764 students, about 23 are from Mumbai, Thane and Palghar districts. However, MSRTC spokesperson denied this saying that no plan has been finalised yet.
17,000
Total no. of buses with MSRTC
115
Total no. of buses lined up from Yavatmal
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A 26-year-old woman in labour was turned away from one hospital after another in Kalwa and was forced to deliver inside the autorickshaw that was ferrying them. The baby's father Janak Joshi, 25, then held the baby tight until the family reached Lakhmichand Fatichand Hospital in Thane, which finally admitted the woman and cut the umbilical cord.
Janak, a native of Nepal, works as watchman at Saurabh Towers in Thane's Kolbad Naka where he also lives with his wife and son in a small room allotted to him. His wife Geeta, 26, was due in April and Janak had been very worried about how to take her to hospital in the lockdown. He had then spoken to auto driver Mangesh Jadhav who lives in the same residential building, who agreed to ferry Geeta in case she went into labour. But the had no idea that Jadhav's rickshaw would be the place where the baby would finally be born.
Mangesh Jadhav who ferried Janak and Geeta Joshi from one hospital to another and in whose auto their baby was born
Janak said, "The civil hospital is just a kilometre away from where we live. So, we first went there to get Geeta admitted, but we were told that there are Covid-19 patients and so it would not be possible to admit her. From there we rushed to Shivaji Hospital in Kalwa where, too, we were denied admission and were told to take her to Lakhmichand Fatichand Hospital in Thane. We began our journey to Thane, but meanwhile, Geeta delivered the baby right on the Kopri Bridge inside the auto. Our son, too, was with us in the auto and was confused at first with not knowing what was happening. But, he was soon thrilled when he learnt he had a baby sister to play with."
Janak was overwhelmed and could not stop thanking Jadhav who took his family from one hospital to another and finally waited as Janak's wife delivered the baby in the rickshaw. "I held my daughter as she was delivered and held her tight until we reached the hospital in Thane where both were finally taken in and the umbilical cord was cut. Both are healthy now and we will be discharged soon," said Janak, adding that both mother and child are COVID-19-free.
"I was so tense about Geeta's delivery but Jadhav was so helpful in our time of need. We were also stopped at many checkposts which wasted a lot of our time."
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The fight against Coronavirus is a constantly evolving one and is mainly reactive at the present moment in many contexts.
The BEST authorities are putting into place a plan which reduces the number of conductors in the few big, reds plying the city.
This is because, as a report stated in this newspaper, a few from the BEST workforce have contracted the Coronavirus. They are now going to run buses, some being already operational in this manner, with a driver and no conductor. The commuters will have to pay at the end of the journey.
It is important that the few passengers we see in buses today, follow rules whether there is a conductor or not. Maintain social distance in the bus, even if there is no conductor to enforce this.
Adults must know that the distancing is mandated for their safety and the security of their family too, so one surely does not and should not need somebody literally telling them to observe social distancing.
Ride in the bus wearing a mask, and do not slip it off your face or hang it around the neck during the journey. Do get on at the proper stop and follow correct etiquette even while alighting. Do pay the correct fare for the journey you took.
We must recognise that this is special, though necessary, service for workers and those providing essential services, thus necessitating commuting during these times.
The report also cited a BEST Kamghar Sanghatna official opposed to keeping conductors out, saying this was a ruse to start one-man operations amid Coronavirus.
Dialogue must ensure that there is transparency and talks within the Undertaking which is facing so many challenges — Coronavirus or not. May all do the BEST for Mumbai.
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Your mother gets more and more confused these days. She forgets names, does not recognise usually familiar faces and often starts speaking only to forget the rest of the sentence. She gets tired easily and slumbers a lot. Sometimes she drools like a baby while asleep on the easy chair. You feel a little sadness inside: she is 73, poor thing.
Old age sucks.
Your father, who ran marathons and stayed fit all his life, can hardly take a reliable step any more. His gait is unsteady, he seems wobbly and you constantly fear that he will fall. He has taken a couple of tumbles already and been injured. Poor man, he is 79.
This is how the end begins, you think, with halting steps and frequent falls. It will lead, you suppose, to dementia, forgetfulness, perhaps Alzheimer's, dignity pads, nannies and probably finally pneumonia through too much food going down the wrong way.
You realise both of them will need more care and probably more of your time. One day you might notice a tremor in his hand which makes it impossible for him to feed himself — and an ayah will be hired for the job. This will only get worse, you tell yourself, until the day they find release through death. With any luck, it will not be a lingering, painful one.
This, you tell yourself, is what ageing and senility look like. You don't look forward to the day it will come to you.
My mind has been on the elderly in our lives ever since COVID-19 entered our world. It has a particular appetite for taking away our senior citizens, particularly those over 60, we are told, and more especially if they have underlying conditions. No matter who you are, how young you are, you will one day watch a beloved parent or senior relative decline — and like the overwhelming majority of us, you will dismiss it as creeping old age.
What if you were very very wrong about the signs of old age? What if all the things we call ageing are the result of a single missing vitamin called B12?
My digging began around 2010 when my mother started falling forward every time she stood up. Her hands were unsteady, her once 20-20 vision was blurry, she misheard things, spoke disjointedly, frequently forgot names and faces and frequently dozed off while watching TV. She was then 77, and I thought — she's getting old.
I began reading and googling, meanwhile, and one day, I made a list of all the behaviours and symptoms that I naturally assumed were a part of normal ageing.
Clumsiness
Irregular gait, stumbling
Frequent falls
Forgetfulness
Depression and moodiness
Deteriorating vision
Disorganised speech
Tangential or incoherent thinking
Easily tired, needing more sleep
Being feeble, anaemic
Trembling
Being incontinent (not being able to hold pee in)
Guess what? Every one of these is a symptom of a deficiency of vitamin B12, otherwise known as cobalamin. It is one of the most complex vitamins, with a single cobalt atom in the centre, and the only one that your body does not synthesise. Vegetarians and vegans must get it through dairy or soy products. Eating meat and animal products like dairy products, milk and cheese provide your body with the 2.4 or so micrograms you need every day.
That microscopic amount, it seems, is all your body requires to maintain a healthy central nervous system, produce healthy DNA and make red blood cells.
And then old age starts creeping up on you. Unknown to you, your stomach starts producing less gastric juices, and this directly affects your body's ability to synthesise vitamin B12 from the food you eat. Some people turn into belch and fart factories as they age, struggling with acid reflux at night, popping proton pump inhibitors and antacids. These pills make it even harder for your body to synthesise and absorb vitamin B12.
Your near and dear see what they suppose are signs of senility but they're actually the first signs of a developing B12 deficiency in your ageing parents — weakness, fatigue, shakiness, unsteady gait, incontinence, low blood pressure, depression and other mood disorders, and cognitive problems like poor memory. Since B12 is water-soluble and stored by the body in the liver along with other B vitamins, the deficiency cannot be detected in a blood test until the level drops below 250 picograms per millilitre of blood serum.
There is no good estimate of how many senior citizens we label as aged without checking if they are actually only displaying signs of vitamin B12 deficit. Once detected, it can often be fixed with a single injection once or twice a year.
My mother did have a vitamin B12 deficiency. Injections restored her to a semblance of a more normal life for some years till she died of other causes.
Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com
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The views expressed in this column are the individual's and don't represent those of the paper
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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.
"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.
According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.
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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.
Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation
— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020
While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.
In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.
#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.
— Mumbai Police (@MumbaiPolice) April 21, 2020
We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.
Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.
Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.
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The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.
Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.
We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.
Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.
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The most erudite can be swayed by numbers alone. Representation pic
The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.
Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?
The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.
They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.
Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.
Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.
Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.
How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.
And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.
The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.
Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com
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This paper ran a disturbing front page story on the weekend. It cited how, for several months, the Mumbra Police have been at their wits' end over bikes and scooters going missing from various parts of the suburban township. Last week, however, the police tracked the culprits, who were a gang of 10- to 15-year-olds.
All the nine boys who were apprehended by the police were minors. All of them hail from poor families in Mumbra and they are passionate about bikes and just wanted to ride them for fun. While the boys have been put in a home, what is worrying is that a couple of parents are in denial about their boys being involved in the theft.
The report said that Mumbra residents had complained to the police about rash driving by young children, who didn't have a driving licence. A social activist in the area had even said that many children here start riding bikes when they are as young as 12.
Most of these kids have not been to school. There is also the prospect that this crime may be a stepping stone for them and it may escalate to bigger crimes once they are out of this home. Parents need to pay much closer attention to what their children have been doing. They may not know about the crime, as it is natural these children will hide this from their parents. But, as a parent, they must try to investigate and question their children in case they suspect an unusual pattern in their behaviour.
It is unacceptable that 10-year-olds are riding bikes, putting not only themselves, but also other bikers and pedestrians in danger. Report them, if you suspect it's an underage boy riding a bike.
Finally, much more social awareness, sustained campaigns, and acceptance rather than denial by parents, can counter this menace. The bike robberies are not all innocent fun, it has grave ramifications for the future.
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If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom. Pic Courtesy/CYâÂÂGopinath
In the house where i lived in Andheri Lokhandwala, I'd wipe a finger along the window sill in the morning, and a layer of dust would come away. The domestic help would wipe it clean every morning; 24 hours later, it would be grimy again.
But it was 1982, we were children then and had simple theories about things. Mine was that with so much crazy construction going on in Lokhandwala Complex, well, what would you expect if not clouds of dust? And thus, dust became another little thing we stopped questioning in Bombay. And then Bombay became Mumbai. But the dust remained dust.
I wouldn't be writing this today if I hadn't moved to Bangkok, on work first, but finally just to live. And the questions began coming. Bangkok and Mumbai are very similar, both urban, crowded and sleepless world cities with local life and culture richly woven into cosmopolitan sensibilities. Question 1 was why Bangkok didn't have swarms of flies despite being the world's street food capital. I wrote about that in this column on April 17.
The second question was why my window sills never got dusty in Bangkok — or more accurately, why nothing ever got dusty in Bangkok. After a hard day's toil, you could wash your hands clean without creating rivulets of grime.
I began paying special attention to public places where you'd normally expect dust. For example, on the outside of pedestrian overpasses across busy streets, large hexagonal rivets hold down steel barriers left and right of the walkway. If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom.
So I began checking Bangkok's outside rivets: they sparkled like freshly painted. And not because it had rained either. Next, I checked those ugly black nests of telephone and electricity cables that hang between lamp posts — another place where dust, cobwebs and pigeon s**t build up. In Bangkok, they were spotless. A week later, I saw several old women in municipal uniform with mops and swabs whose job apparently was to specifically clean dust and grime from all hard-to-reach places. Such as rivets on the outside.
I checked out one of Bangkok's many construction sites, which process the same materials as any Indian site — gravel, cement, bricks, concrete mixers. But miracle of miracles, no dust, thanks to the simplest of strategies. One worker on the site has just a single, simple task all day: he stands with a hose pipe watering the grounds every 15 minutes. Damp dust doesn't fly.
ON MY NEXT VISIT to Mumbai, I became a student of dust. Building construction sites are not the only dust devils. Major culprits are the mounds of debris that lie where utility companies have dug up the earth to lay cables. Since their job is not road cleaning, they leave the debris where it is when they're done.
By the time the department for debris-removal has slowly moved its creaky bones, passing winds have stirred the dirt and dust and blown it everywhere. The debris-removers finally come, but they do not fix the road, since that it is the roadworks department's job.
Meanwhile, more winds blow more dust around. In most cases, the roadworks people never show up. Mumbai has looked like a war zone as long as I've lived there, a bit like Aleppo after some barrel bombs.
And then I noticed another little dust-maker: the cute zig-zag paving tiles that give many Mumbai crossroads a faux European look. With just some basic geometry, you'd have seen the glaring mismatch between the kerb and the pavestones. The kerb is a straight edge, while the paisley tiles are curved.
When a curved object meets a straight one, gaps are guaranteed. A good road maker would know what to do about those gaps. He'd pack them tight with concrete cement, and they'd be gap-free when it dried. But Mumbai's heritage is of roads with beautiful tiles that are abandoned inches before they touch the pavement. Those are the tiles that go loose first, exposing dusty road. One by one, the rest follow.
Soon, the happy roadmaker has to be re-hired to repair his own work. Meanwhile, more and more dust flies around as more and more tiles come loose. I ASKED A ROADMAKER why his work was so shoddy. He shrugged and said, "It's how the system works. To win the contract, I have to pay someone in the municipality first, almost one-third of the amount. But after that, I don't have enough money left to deliver the job as I promised once I deduct the bribe and my profit. So I have to cut something somewhere. We just leaves the edges incomplete." And voila! Another cloud of dust.
Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com
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BS Yeddyurappa submits his resignation as Karnataka chief minister to Governor Vajubhai Vala in Bengaluru on Saturday. Pic/PTI
At a press conference moments after BS Yeddyurappa quit as Karnataka chief minister for the third occasion in his life, this time after just two impotent days, Congress president Rahul Gandhi was asked if he would demand Governor Vajubhai Vala's resignation. Just the day before, Rahul had tweeted that Vala's decision to invite Yeddyurappa to form a government, despite being short of a majority and not having any other party's support, was "unconstitutional". Yet, with the press he was philosophical: "What's the point?" Rahul said. "Even if Governor Vala is made to go, Prime Minister (Narendra) Modi would put another puppet in his place, who will take exactly the same decisions."
Rahul repeatedly stressed the point that the RSS, through Modi, is out to destroy all institutions in India because it respects no institution other than the RSS. Modi did not behave like a democrat, he said, but like a "dictator". (Also, the Congress president referred to his BJP counterpart as "murder accused Amit Shah".)
Some Indians don't mind Modi being a dictator. They think democracy in India is too slow and needs to be speeded up. Not only is this sentiment justified by pseudo-Darwinism — so what if the poor get left behind? — it doesn't seem to bother them that subverting Constitutional niceties may backfire on them one day, when the Great Leader is replaced by someone else, perhaps another regional leader in a hurry. For now it's okay if their Governors try one thing in Manipur and Goa, and then try the opposite in Karnataka.
Rahul did not mention, however, the elephant in the room: the occupant of the highest constitutional office in the land. For much of the republic's life we have had some pretty ordinary occupants in Rashtrapati Bhawan, and one need not go far back in history to find some awful examples. Pratibha Patil was nominated by the UPA to be India's first woman president, but she was far from a leading advocate of gender-equality or even equal-pay issues during her career; her elevation was simply an exercise in tokenism —much in the way that Ram Nath Kovind's is. (Another pedestrian candidate, to my mind, was fixer and murky backroom boy Pranab Mukherjee, who in 2012 end-gamed then Congress President Sonia Gandhi into nominating him.)
President Kovind isn't even the first dalit in Rashtrapati Bhawan. The first was KR Narayanan, who unlike President Kovind, had a distinguished career as a diplomat and an academician before he became vice-president (and in 1997, president). President Kovind's achievements have been modest in the field of education; and though he was personal assistant to Prime Minister Morarji Desai, he has been a Hindutva ideologue for over a quarter of a century. The RSS considers him its man.
President Kovind isn't anywhere near the stratosphere of popularity achieved by the other NDA nominee for president, the late APJ Abdul Kalam, who succeeded Narayanan in 2002. On the contrary, President Kovind was earlier this month left looking diminished thanks to former information and broadcasting minister Smriti Irani (repeatedly the proverbial bull in Modi's china shop) who mismanaged his presentation of the National Film Awards, provoking many artistes to boycott the function. (The photos were catastrophic, showing rows of empty seats at the function.)
President KR Narayanan distinguished himself in office with a couple of correct Constitutional decisions that shocked the political establishment, because he acted impartially rather than be the government's rubber stamp. In October 1997, he returned the recommendation by then Prime Minister IK Gujral's to put UP under President's Rule. He is the only president to have refused to impose central rule (he did it again the next year), setting an important precedent for federalism.
Given the recent partisanship of members of the Election Commission and of the Supreme Court, and with Governor Vala's naked and shameless partiality — he disregarded recommendations by various Centre-State Commissions set up since Independence on the Governor's role in inviting a party for government formation — you need not be a rocket scientist to predict President Kovind's behaviour if the 2019 election produces a hung parliament.
Imagine a scenario where the BJP wins about 180 seats and the Congress wins about 185, or the other way around. Forget for a moment how the pre-poll and post-poll alliances shape up. Then ask yourself the question: who will President Kovind invite first to form the government? This must be weighing on the minds of Rahul Gandhi and his team. It is obvious to most of us why Modi appoints whoever he appoints to high Constitutional office — it is to do his bidding. President Kovind's critical moment in history will come when he will have to make a choice — to be another KR Narayanan, or to be another Vajubhai Vala.
Aditya Sinha's latest book, The Spy Chronicles: RAW, ISI, and the Illusion of Peace (HarperCollins India), written with former spychiefs AS Dulat and Asad Durrani, is out this week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com
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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.
While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.
The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.
Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.
Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.
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We were sufficiently chuffed after having spent some quality time with the affable, gentle Periyappa, the resident wise old doggie in the Kings Circle neighbourhood, and had retreated towards our other favourite pastime along its pavements — secondhand book-shopping.
The area holds a special space for yours truly — a Ruiaite. As a collegian, it offered an inviting mix of south Indian fare, from enterprising roadside kiosks to cafés that ran on autopilot; mind you, each of them ensured that no matter what budget you were staring at; you never went hungry when the urge cropped up just before that boring afternoon lecture. And then, there were those saviours from the pre-mega bookstore era — the secondhand pavement bookwallahs. From a mindboggling range of titles to the delightful haggling [we learnt our first lessons in bargaining here]; these booksellers were responsible for some pretty good deals that landed up in our bookshelf at home.
Interestingly, when we sat down yesterday to plan out this column, the Google doodle also helped a bit; it jogged our memory to an important nugget from back then. The doodle was to celebrate the birth of the world's first atlas created by Flemish cartographer Abraham Ortelius. Some of our first intriguing journeys into the world of maps was courtesy these secondhand booksellers whose drop dead pricing made it tough to resist the map-crazy collegian in a time where finding an atlas of hand drawn maps from the late 1800s was worth its weight in gold.
Fast forward to the present. We met with architect, photographer, archivist and collector Robert D Stephens a week before his ongoing exhibition at a swish SoBo gallery. Robert, an American who swears by his local train commute, is as 'Bombay' as it gets. And his love affair extends to his endless search for books about the city from every decade and century. Many of his finds are now part of the exhibition, themed on guidebooks that were written for tourists and city folk. As we ogled at the 'loot' that he displayed for sneak peek, the glee in his eyes [and understandably so] was akin to a pirate who had brought his treasures to the safety of dry land.
"My go-to guys are the booksellers along Fort's pavements," he shared with us, adding how over the years, this faithful bunch has ensured that buying books remains a sub-culture and part of the landscape in and around this buzzing commercial district. While their numbers have dwindled and business continues to get affected [thanks to the ongoing project to 'upgrade' the city], loyalists still throng these parts. Just like the vendors of Kings Circle, they too know that time, and many other factors might not be on their side, and with the sweeping hold of the internet, they could be staring at the dark end of the tunnel.
Yet, the optimist in us finds it reassuring when we learn how almost an entire exhibition could have been sourced not from a brick-and-mortar institution or buys off e-stores but from the neighbourhood bookseller.So, in case you haven't till now, make a trip to check out one of these silent superheroes, find our favourite read, engage in some friendly bargaining, Bombay-style, and take home that rare find. It will be well worth it, take our word.
mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com
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It was being said that the Karnataka Assembly polls should be able to shape the political discourse of the time to come, with an eye on next year's general elections. Things are headed that way, thanks to a secondary role that the Indian National Congress has decided to play in a game that would have regional parties as dominant stakeholders. The reactions that Karnataka's high drama has evoked from the ruling regional parties and others that are poised to throw a challenge to the BJP were more like war cries.
The BJP isn't naïve to ignore what lies ahead and it should be seen changing its strategy as it faces newer challenges. We should not be surprised if BJP works overtime on dividing the outfits that the Congress wants to gather under one umbrella with the sole target of stopping BJP in its strides. The war cries we have been hearing from the foes of BJP mean a single agenda, but without a unified command centre they cannot turn it into action on all fronts where the BJP needs to be defeated. It is still a grey area for the opposition that the BJP should seek advantage from.
Regional rationale
High on ambitions, the regional parties in some states have their own calculations, permutations and combinations that have little space for the Congress, which will have to work elsewhere to emerge as the first or the second largest party at the Centre. The Congress think-tank seems to have done a reality check. After Gujarat, where it fought BJP in a straight fight and hurled a stunner that almost unseated the ruling party, it missed out on retaining power on its own in Karnataka. But it performed exceedingly well outside legislature. It learned from past mistakes and took every cue from BJP's moves. It made the right noises in the people's court and also in the highest judicial offices of the country. It was pleasant to see the Congress leaders, who are also the party's legal experts, shed their infamous arrogance, as they spoke their minds at media conferences and argued in the courts.Little wonder then, the Congress does not seem to be pushing its president Rahul Gandhi as a torch-bearer for all opposition, unless supported by the number of elected representatives.
A decision to give JD (S) the chief minister's post in Karnataka should be seen as a part of strategy that serves many purposes. It gives out a message that the Congress will make sacrifices to strengthen a mission 'say-no-to-Modi-BJP'. It embraced a post-poll partner, and it said unlike BJP (or the Congress of the past that had pulled out support to Deve Gowda's Union government), it wouldn't eliminate a friend in need.
Regionals such as Shiv Sena, BSP, SP, TRS, Trinamool Congress, TDP, RJD and other outfits have welcomed the development in Karnataka, especially the Congress' fightback in ensuring that BJP's CM steps down and JD (S) chief HD Kumaraswamy gets to run the government, as promised on the election results day.
The anti-Modi gang sees it as a positive and mature decision from the Congress, which acted with a flexibility and quickness it rarely showed in the past, in the decision-making process of the Karnataka episode.
Testing times for BJP
The BJP expects the new-found love between the Congress and JD (S) to vanish soon. It says there will be Assembly polls in Karnataka very soon and it will win, this time, with a thumping majority. If it happens or not in the southern state, the BJP will now have to keep its flag flying in three of its citadels — Madhya Pradesh, Chhattisgarh and Rajasthan, where regional parties don't matter much, but may have an influence here and there. As has been in the past three decades, it should be a one-on-one fight between the Congress and BJP. These states will also fairly indicate where the two parties stand ahead of Lok Sabha polls. MP sends 29 MPs, Chhattisgarh has 11 and Rajasthan 25.
Going by the voting pattern of the Assembly in Karnakata, a unified opposition should at least win 22-23 of 28 Lok Sabha seats in the state. By-polls in Uttar Pradesh have established that the united opposition, mainly the regionals SP and BSP, should be able to reduce BJP considerably in a state that sends highest number of 80 MPs.
Second in the line after UP is Maharashtra, where the Assembly polls are held six months after the general polls (48 MPs) and it usually sees an impact of previous polls on formation of a state government. Yet, we may have some 'trend learning' in the offing when Palghar and Bhandara-Gondia go to the Lok Sabha by-poll on May 28.
Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com
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Actress Keerthy Suresh as Savitri in Mahanati
Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.
Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.
The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.
Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com
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Illustration/ Devdutt Pattanaik
One of the unique features of Islam in South Asia is the veneration of five holy men, or saints (auliya), known collectively as pancha-pir. They are often represented by the palm of the hand, mounted on a mound. We find shrines of pancha-pir in Punjab, Rajasthan, Uttar Pradesh and Bengal. They are sometimes identified as the five pure ones of Shia Islam: the Prophet Muhammad, his daughter, his son-in-law, and his two grandsons. Other identify them as five Sufi saints, often the teacher with his five students. Still others say they refer to the Prophet Muhammad and the first four Caliphs. This veneration of five holy men in dargahs is however frowned upon by Islamic purists, who believe that veneration should be reserved for God, and none other.
In folklore, the pancha-pir often appear to bless heroes on quest, or to establish the greatness of a local king. In many Hindu temples, especially in Rajasthan, where folk-heroes are deified, as in the case of Ramdev baba, one finds pancha-pir endorsing their greatness, thus indicating syncretism of Hindu and Muslim ideas at the grass-root level. In Bengal, they are popular amongst sailors, who seek their protection before setting out into the sea, and thank them on their return.
Stories of pancha-pir often reveal much similarity with village gods and goddesses of India, who are known to help when appeased and harm when angry. So we learn how they gave their horse to a queen so that she could use the horse's blood to cure a husband. The queen later refuses to return the horse and so the pancha-pir destroy her kingdom. Sometimes the pancha-pir are paired with their five wives who disobey them and so are reduced to five piles of ash.
How did this idea emerge? It is possible that these five pirs were earlier the five tathagathas of Buddhism, found in Tantrik Buddhism, that flourished in eastern India during the Pala kingdom. There is the central Buddha, Vairochana, with four other Buddhas in the four directions, represented in four different colours, embodying four different principles, thus indicating universality. Such images are found in Buddhist shrines and Buddhist mandalas.
The idea of the five collective is found in Hinduism too: the Pandavas, for example. In Puri, Odisha, the five Pandavas take the form of five Shivas. There are images of Pancha-mukhi linga, where five faces, each in different mood, arise from a single pillar. There is also the concept of five chaste women: the pancha-kanya, which includes Sita, Draupadi, Ahalya, Mandodari and Kunti.
The most recurring concept in Indian mythology is that of a teacher with four students who take his knowledge in the four directions. One learns of Veda Vyasa and his four disciples, the Shaiva sage Lakulesha with his four disciples; the Jain saint Vajraswami who founded four orders (gaccha); the Sikh saint Sri Chand, the eldest son of Guru Nanak, who passed on the sacred fire (dhunni) of his order (akhara) of ascetics (udasin) to four disciples; the Vaishnava, Ramanuja also passed on his mantle to four disciples. This idea of the collective of five, best represented by the palm of the hand, clearly gave meaning and power to local faiths and also kept together various divisions that emerged in religious orders. Hence its enduring appeal.
Devdutt Pattanaik writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com
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Illustration/Uday Mohite
I knew two Mumbai cops. Two Mumbai cops who went to the same college as me. Yeah, Ashok Kamte and Himanshu Roy were marginally junior to me at St Xaviers' College. Two Bombay boys who became police officers and subsequently looked after the city they grew up in.
One who followed in his father's footsteps as a policeman. The other who chose not to become a doctor like his parents. There was an incredibly tragic irony when Ashok was shot on 26/11 in the narrow lane that separated our college from Rang Bhavan. (It's no surprise that Ashok and Himanshu considered each other brothers — and Himanshu always regretted not being in Mumbai, standing side by side with Ashok, when he was gunned down).
I knew Himanshu Roy a bit. Mumbai is a small city in spite of its size. And, South Mumbai an even smaller world. Himanshu was born and brought up in Colaba, schooled in Campion, and graduated from our college.
I first met him in 1995 at a friend, Mark Manuel's home. He was then an incredibly, lean, bespectacled man — wiry and tall. And I remember thinking he was very gangly for a cop. But he exuded great hunger. There was a glint in his eyes, a manner in his demeanour, a strength in that stick-like figure. I'll never forget that bristling energy. He was like a coiled snake, ready for action, ready to change the world, ready to catch the bad guys, a superhero without the cape and mask. He was idealistic and worldly wise at the same time. (It perhaps requires those two qualities, to join the force and survive). He was about to leave for Nashik, from where he returned two years later, with rippling Popeye arms and a barrel chest.
There is something incredibly brave in deciding to become a Mumbai cop. Not just because of the valour required in handling criminals. But, of the skill needed in navigating a system run by politicians.
It was no surprise that the cases he handled were of a diverse nature. IPL spot-fixing, the J Dey and Pallavi Purkayastha murders, the riots of Khairlanji. He devised anti-dacoity measures in rural Maharashtra, cracked the Shakti Mills rape case. He set up Mumbai's first Cyber Crime Cell, and established a special cell to deal with crimes related to women.
So, the news that he'd shot himself in his flat, was incredibly sad. Cancer had wreaked havoc on his body and perhaps he saw no other way out. But suicide is always a many-sided Hydra. The debate on whether it is a brave move, a cowardly act, a desperate measure or a selfish resolution will rage on forever.
But for me, there is always one trait linked to killing oneself — loneliness. Whether Himanshu 'Hercules' Roy was lonely in his final hour we'll never know. But, a man who'd spent his life protecting a city, ultimately couldn't protect himself.
Goodbye, big man, I'm sure you're out there somewhere, looking out for us.
Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com
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illustration/RAVI JADHAV
There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.
While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."
Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.
Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.
Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.
This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.
Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.
Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com
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A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.
According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.
Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.
If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.
They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.
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The BMC has claimed to be monsoon-ready this year, but it’s highly unlikely that the city roads will be pothole-free. File Pic
I like waiting for the BMC to issue proclamations of all kinds based on whatever mystical tests it uses instead of science. It will tell us when the rains are expected, for instance, then promptly issue a new date 24 hours before the original one, citing fresh new information that has probably been sent to its meteorologists via WhatsApp. It will talk about how much water will be collected in our lakes and rivers, then revise that figure every three weeks depending on what percentage of water cuts it can announce for free publicity. I suspect a lot of BMC employees spend their days simply dreaming up new statements to issue, because doing this is a lot easier than completing any actual work.
The good news is, it claims to be monsoon-ready this year. Yes, it claimed to be monsoon-ready last year, too, and the year before, and the decade before, but why should that stop it from issuing a new press release about how it is definitely monsoon-ready this year? If it doesn't issue these statements, how is it supposed to justify the thousands of crores that are poured into our streets and mysteriously vanish before touching the asphalt?
This year's statement says that only 522 roads continue to remain dug up in the city. This presumably does not include the street outside your home or mine, or any street you pass over the next week, because finding a street that isn't dug up in Mumbai is almost like finding proof that our ministers have actually been to school. Apparently, completing road repair and renovation work in the city is definitely the target, which isn't surprising because it has been the target since man first set foot on the Moon. I assume this doesn't include the roads that have been torn apart for the Metro, of course, because the chances of them being smooth and pothole-free in your lifetime or mine are a billion to one.
The Andheri-SEEPZ line of the Metro runs just outside Andheri station towards Versova. The street it tore up and demolished over a decade ago has yet to recover. It has turned into an unofficial market, with commuters now long used to the idea of going around in a wide circle in order to hit SV Road. One can't help, but use that as a benchmark when thinking about what the city will look like when the current Metro projects are finally complete, a century from now.
Our civic body - I use those words loosely, of course - has reportedly prepared a plan of completing work on 1,106 roads in several categories during the financial year 2018-19, with roads classifieds into categories of project roads, priority 2 and priority 3 roads. This must have taken them a few months, because everyone knows how important the task of naming plans or renaming roads is, and how these discussions can go on late into the afternoon. Project roads are easy to spot because they exist in various states of disrepair all around us, but it's hard to figure out the difference between priority 2 and priority 3 roads. In a city that is home to millions of commuters an hour, one would assume all roads are a priority, but that is clearly not the case.
Project roads are also supposed to undergo complete reconstruction, which is BMC-speak for 'we are going to tear them down and start again, and use your taxes to do it a few more times'. The statement didn't just talk about the future though; it also claimed that work on 879 roads was completed by the end of April. Chew on that when you dislocate your shoulder in a rickshaw on your next trip.
I'm pretty sure the fault lies with us. We are the ones who prevent the BMC from focusing on more important things like memorial plaques and compel it to waste valuable time and money on insignificant issues like pothole-free, monsoon-ready roads. If you care about your city and respect the BMC, you should do the right thing and avoid the roads. Work online instead of at an office, chat with friends and relatives via video calls, and educate your children with the help of YouTube videos. Don't use roads until the pesky monsoons are over. Stay at home instead.
When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com
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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello
I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?
Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?
I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.
As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.
Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.
It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.
I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.
Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com
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The mystery behind the death of a group of brothers seems to have been solved, said a report in this paper. The Chavan cousins were found dead between Kandivli and Borivli stations earlier this week.
A day after their death, an eyewitness informed the police he saw them jumping from the train to cross the tracks when it had stopped at a red signal between stations.
An inspector stated in the report that when the train halted, the boys tried to jump to cross the tracks. In doing so, they missed seeing a train coming from the opposite direction and were hit by it. Investigations are on and eyewitnesses are being sought to corroborate the version. Yet, it looks quite certain that this is yet another track death amongst the many in the annals of railway track death history.
We need to see signage on stations warning people not to cross tracks. Even some signage inside train bogies about the danger of crossing tracks will be helpful. This may not be an absolute deterrent, but will at least make people stop and rethink before crossing tracks.
Maybe passengers' unions can put up warnings on social media. A track crossing survivor, who has had a narrow escape, could recount his experience. He could even speak about how lucky he was to escape with his life and exhort the lakhs who use the service not to endanger their lives.
From riding rooftop of trains to crossing tracks, there are so many dangers that commuters bring upon themselves. A service that is already strained to a breaking point is inherently dangerous because of the sheer numbers. It is safety first, when it comes to this service, commuters must realise there is a greater onus than ever on them to ensure their own safety. Crossing tracks is an invitation to a grievous injury or a tragic end.
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Captain Michael Clarke (left) listens as Bill Lawry speaks to the Australian team before the Melbourne Test v Sri Lanka on December 26, 2012. Pic/Getty Images
Bill Lawry has called time on his fulfilling 40-year career as a television commentator with Channel Nine. His retirement is a loss and no commentator can utter 'it's all happening' as excitingly as the former Australian captain. Lawry, 81, (nicknamed Phanto for his love for Phantom comics) decided he had enough of commentary when his employers lost the bid to cover cricket Down Under. Lawry enjoyed every moment of his commentary years. He was grateful for the opportunity Kerry Packer gave him in 1977, six years after retiring from first-class cricket.
Cricket destiny was not so kind to Lawry during the 1970-71 Ashes. Selectors Sir Don Bradman, Neil Harvey and Sam Loxton dumped him despite his 324 runs in five Tests at an average of 40.50. The illustrious ones who wielded the axe didn't feel obliged to inform him. When Lawry tried to meet one of them before flying out of Adelaide on the morning after the sixth Test, he discovered the selectors had already checked out for home. He then headed to the room of his fellow Victorians Ian Redpath and Keith Stackpole who delivered the news of his sacking.
He took it on his chin, headed home to Melbourne and put behind his disappointment in the company of the pigeons he reared as a hobby. Lawry scored 5,234 runs in 67 Tests at 47.15. As a batsman, he could be obdurate and adhesive, but his supporters didn't see that as a negative. Ian Wooldridge, the famous British sports writer, apparently called Lawry, A Corpse With Pads On. Lawry defended Wooldridge in an interview, saying a sub-editor used those words in a headline for one of Wooldridge's pieces. "I always regarded Wooldridge as a tremendous writer. I have always had a good relationship with him," Lawry said in Why Cricket Matters.
Richie Benaud, his first captain, often recalled Lawry's courageous 130 on a difficult, uneven pitch at Lord's in 1961 when England pacemen Fred Trueman and Brian Statham rendered the opener "black and blue" with their body blows. The 1962 edition of Wisden Cricketers' Almanack projected his bravado aptly: "Lawry was Australia's spinal column in the second Test at Lord's. This was an indomitable effort of sheer graft under severe pressure with the ball flying about and he was tenacious, painstaking and wonderfully cool."
On the 1964-65 tour of the West Indies, danger came in the form of the swift Wes Hall and Charlie Griffith, who damaged Lawry's right cheekbone, but couldn't stop him from carving a gritty double century. Lawry had a sweet and sour stint as captain, winning nine of his 25 Tests. His eight losses included four in a row on the dreadful 1969-70 tour of South Africa. For 35 seasons — from 1969-70 to 2004-05 — he enjoyed being the only Australian captain to win a Test series in India.
Despite being on top of MAK Pataudi's 1969-70 side, Lawry found captaincy hard in India. His team were not granted current-day luxuries and amenities. Plus, there were a couple of riots. There's an amusing story about the Mumbai Test of that series when fans set a stand on fire at the Brabourne Stadium. The crowd felt the decision to send back S Venkataraghavan (caught behind by Brian Taber off Alan Connolly) was a dubious one. The Australian players feared for their lives and at one point, vice-captain Chappell suggested to skipper Lawry that the team should retreat to the dressing room. In Lawry's mind, there was a Test match to be won, so he said (according to historian Gideon Haigh in The Summer Game), "Hell, we need a wicket badly."
From a personal point of view, it was a disappointing series for Lawry. His 10 trips to the crease could fetch him only one half century and he became unpopular with the media. However, there were no Australian newspaper journalists on tour for him to give his side of the story. Indeed, commentary was his second innings in cricket. He excelled, he entertained, even exaggerated. He got excited to the point of causing amusement to his fellow commentators. When Venkatapathy Raju and Javagal Srinath were running between the wickets in their quest to clinch a close win over the Australians at the Gabba in the 1992 World Cup, Lawry goaded the Indian pair to run like hares. And once, he confessed to saying, "Inzamam-ul-Haq has taken this attack by the throat of the neck."
Lawry was invariably on air when drama made its way into a match. He called many a memorable Indian cricket moment in Australia — Sachin Tendulkar's two Test hundreds on the 1991-92 tour, Sunil Gavaskar's walkout at Melbourne and the victory that followed in 1981. Australian cricket viewing will never be the same without Channel Nine and the new rights holders could regret that they have no one as good as Lawry to scream on air, "What a ripper!"
mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com
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The desire to stream his speeding stunt live on social media cost a 20-year-old engineering student his life, while his cousin, who accompanied him, is battling for his life in hospital. He had stolen the keys to his uncle's car. This report highlighted once again that social media distractions and driving are a lethal mix.
The police have identified the deceased as Shivam Prakash Jadhav from Kharadwadi in Pimpri. He died on the spot. His cousin Hrishikesh Vilas Pawar, 22, was cited as critical and undergoing treatment in a Pimpri Chinchwad-based private hospital.A senior police officer was quoted in the report as saying that the car was speeding at 120 kmph. The passenger was streaming live on Instagram when the driver asked him to show the speedometer. Later, he lost control of the car, and it rammed into a grid separator.
The thrill of speed coupled with the thrill of likes, adulation and congratulatory messages is so potent that there can never be enough said about desisting from using social media while driving. Even earphones are a no-no when driving because your hands may be free, but the mind is elsewhere on the conversation and your focus and attention is compromised.
Here, we also had another factor thrown into the tragic cocktail. The driver was speeding. It was the passenger who was streaming live on Instagram, but the driver's attention was compromised as he was distracted by Instagram. It was evident that the young men were on a suicide mission unknown to them.
Let there be more awareness and we want to see a blitzkrieg on social media how it is not cool to drive and be on social media at the same time. Speed should be similarly panned. Youngsters, this is so not cool. Losing a life for some likes? Certainly not.
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QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week
If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.
Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.
For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.
I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.
One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.
To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).
Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.
Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!
In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.
What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).
Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).
Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.
Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com
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Controversy and fracas is heating up over sugar imported from Pakistan. Reports have emerged about an NCP MLA from Thane district and party activists tearing sugar bags stored in a godown in Navi Mumbai. The MLA, who represents Kalwa-Mumbra constituency, said hundreds of NCP activists raided the godown, located in Dahisar Mori area of the satellite town of Mumbai, and tore the bags containing the imported sugar.
This comes on the heels of the Maharashtra Navnirman Sena (MNS), which had already opposed the sale and distribution of imported sugar. MNS leaders from Navi Mumbai visited wholesale traders in the Vashi agriculture produce market committee (APMC), and warned them against the distribution of sugar.
While sentiment and belief is one thing, we hope that these sugar raids will not disrupt the ordinary person's life or schedule. Every political party has a right to credo and action, but it should not come at the cost of citizens.
The relevant party and its workers can hold a peaceful protest outside these godowns if they so desire, to raise awareness. They could also put up their resistance on social media and create awareness about why they oppose the Pakistani sugar. Do voice your opposition, do give vent to your anger or ire and do reinstate your stand. That is your right as citizens of a democracy.
Yet, one must always do so with a respect for people and violence should play no part in these protests. Beware of political shenanigans, which aim to capture eyeballs, rather than espouse the party line or philosophy. Actions like this must not snowball into confrontations with innocent people caught in the crosshairs.
Say no to Pakistani sugar if you wish, but do not disrupt daily life. Respect the law and the people, otherwise you fear losing sight of your cause in a spiral of violence and hooliganism.
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A vacation brought nightmare news to a 26-year-old Shillong man's family. The man drowned in the Bhatsa River near Shahapur. He was in the city to spend his summer vacation with his cousins at his aunt's place. He had accompanied his cousins who went to the river to beat the heat. Though he was a good swimmer, he was sucked in by the current and drowned. In fact, the drowned man helped his cousins escape, but could not do so himself.
This report comes just days after the a 24-year-old techie allegedly drowned in a swimming pool in Pune. The deceased hailed from Andhra Pradesh and was a resident of Pune's Hinjewadi. He was taking swimming classes since the past one month.
Reports say the lifeguard realised that the techie had not resurfaced for a while when he jumped in and found the man unconscious. Though he was rushed to hospital, he was declared dead. His post mortem report also mentioned death due to drowning.
Both reports show us that swimmers tend to underestimate the power of water. They tend to overestimate their prowess in the water and end up paying a heavy price for that.
In the former instance, where a Shillong-based man died, people need to desist from jumping into rivers, lakes, ponds to cool off. The waters can be deceptively calm. If you are on a picnic, be content with simply submerging your feet in the water, instead of jumping into it. These lessons must be learnt well. The monsoon will bring with it revellers, who cavort in gushing waterfalls and water bodies at green getaways. Some of these picnics end in tragedies. Take extra caution when you swim, and do not enter a deep pool if you are a beginner or still learning. It must be action caution when it comes to water.
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While women sit devoutly, the male attitude has tended to be: let us spray. Representation pic
Bangkok's malls have thousands of people. And people tend to pee, which is partly why they're called peeple. So malls have dozens of men's and women's toilets. Being Bangkok, city of fragrances and aroma oils, they really hate bad smells, so the lavatories generally smell like boudoirs.
In a hurry recently, and finding all the cubicles in the Men's occupied, I looked left and right, then darted into the Women's toilet, which happened to be woman-free at that moment, and locked myself into a booth there. Man's gotta do what a man's gotta do. Emerging, visibly relieved, I noticed two things: there were no cleaning ladies in the women's toilet; and there was no pee smell there either.
The adjacent men's toilet had two cleaners toiling away with mops and buckets of perfumed disinfectants, but you could also detect the fouler odour they were masking: the stink of uric acid and ammonia from male piss. While women sit devoutly, the male attitude has tended to be: let us spray. I know, I know. We don't talk about such things in polite society. It's like the 13th floor in a skyscraper: you can't get rid of it, but you pretend it's not there. Never say "I would like to urinate, be right back". Better go with, umm, Have to see a man about a dog, or Going to make the bladder gladder, or Excuse me while I drain the dragon. Or, if a lady, Pardon me while I take a quick tinkle.
Say it how you wish, amigo, but here's the bottom line - India has fewer malls than Bangkok, but billions more, erm, happy pissers to whom the world is a urinal. Urinary odors were so much a part of childhood that I always assumed that toilets would always smell like, well, toilets. And it's true - a men's toilet in Chicago or Piccadilly will reek just like one of the 71 million apparently built so far by the Swacch Bharat Abhiyan.
What can I say? Piss smells. But Bill Gates, who loves poking his nose where things don't smell right, commissioned a worldwide study and found that usage of freshly minted toilets slopes off after six months. Respondents cited "dirty and smelly toilets" as reasons why they preferred the fields. Gates started the Reinvent the Toilet initiative in 2011, and began working with Firmenich, a Swiss company that makes bad smells better. They identified the four stinky molecules in toilets as indole, butyric acid, p-cresol and dimethyl tri-sulfide, and came up with a fragrance that blocks the nose's receptors that detect these. You could be up s**t creek, so to speak, and not smell a thing.
Like pretending the 13th floor doesn't exist even as you pass it. But you know me. The man with the humble opinion. While Gates would like to block your nose, I think I'd like to block the stink itself. After all, women seem to have it figured out - they sit when they tinkle, so they don't sprinkle. So - men should stand to pee why?
Toledo University's 18-month study found three causes of toilet odors - Missing the target. Face it, not all men are born snipers. The average Indian pissoir is haloed by a wet ring of failed attempts to hit the superbowl.
Uric acid, from men who pissed, but missed and dribbled on floors and walls (and their own shoes) instead, causing smelly bacteria build-up. Splashes - even when the target has been successfully met, a fine aerosol of uric acid lands on nearby surfaces. Urine in the cracks: Urine is absorbed into grout, ponging over time. I'd add poorly paid municipal cleaners and maybe a faint inherited attitude that only untouchables clean toilets. Splashing a bucket of water in a Swachh Shauchalay only spreads the urine evenly across the floor.
Research from the Dutch Leiden University Medical Centre says sitting down to pee helped men suffering from lower urinary tract disease symptoms to pee with greater force.
The stand-up guy activates a host of discreet muscles in the pelvis and spine, which prevent proper urination. More acute in public toilets where certain muscles might be clenched to suppress nether blasts while peeing.
As always, I didn't think of it first. In 2012, the Swedish Left party of Sormland Country Council put forward a motion that all male employees should sit down like well brought up girls when open their sluice gates. Taiwan and Japan have begun advising their men to sit down to pee - or else. And since a real man is clean, courteous, considerate and utterly lazy, a squat over the pot should suit him right to a, well, P. Believe me, I'm a recent convert. Want better reasons? Listen to Larry David from Curb Your Enthusiasm. http://tinyurl.com/ycqa6q3g
Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com
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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP
One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.
Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.
"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.
"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."
Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.
China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.
Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.
The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.
Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.
The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.
Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com
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Just months after the newly revamped Kamala Nehru Park reopened, a little girl was left with a crushed thumb after she fell from a broken swing in the handicapped section. While the girl's parents alleged that the play area is not maintained properly, the authorities claim that the handicapped section was off bounds and the parents ignored the guards' warnings.
The park was reopened on February 23 this year, a little less than a year after it shut for a makeover. While the main section of the park was being renovated, the handicapped section remained shut. When the park was opened again, the children's facilities earned high praise. However, in mid-day's report on Saturday, a few parents came forward to say that the swings and see-saws were not well-maintained either.
Let us put the accent on quality at our parks. We have to remember that given the paucity of outdoor play venues for kids, there is a great rush to use parks that are available, and equipment is stretched thin because of the sheer traffic of children.
From the very beginning, the authorities need to focus on play facilities with endurance. They must also ensure that the rides are kept in top order, leaving no risk of such horrific accidents. Park authorities must keep a medical kit with basic supplies.
Having said that, children and their parents, too, need to respect park rules. They must follow instructions issued by the park officials and security. Parents must also ensure that facilities meant for differently abled kids are not used by everyone, as that defeats the purpose. Guardians have to remain alert and stop their wards if they try to access parts of the park that are not meant for them.
Blame games are counterproductive. Only quality rides, maintenance, security and respect for rules can ensure a great outdoors experience.
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Representational Image
"Pheroze… is it true what I've heard? Dr Viegas was privy to the buzz around Dhobi Talao that had reached some of his nonagenarian friends at Kyani's. They were chatting about it last morning over their brun-maska routine," Lady Flora checked with her old friend during their daily midnight stroll. The two had to re-route their trail post the Metro III work, and were now happier around Rampart Row, Lion Gate and the back lanes of Colaba. Sir PM Mehta rolled his eyes and adjusted his spectacles; he was a tad surprised at how quickly the news had spread among their ilk.
"Well, if you must know, Lady Flora," he began, "The gods who run Victoria Terminus…oops! I mean Chhatrapati Shivaji Maharaj Terminus, are planning to install air-conditioners inside the railway station. Isn't it a highly questionable and extremely debatable suggestion?" The timing couldn't have been more apt though. The city was reeling under another humid and terribly uncomfortable May. Crows and pigeons were falling off the sky, and sparrows, well; the poor little winged fellas didn't stand a chance as water fountains, spouts and pyaus vanished by the day. The city's residents carried on with their daily grind and commute as they braved the elements. Seasons may change, but Bombaywallahs don't complain, as the two icons had grown to realise.
Sir PM and Lady Flora were both witness to all kinds of challenges with each summer that hit Bombay. Yet, and somehow, the idea of an air-conditioned railway terminus, didn't sit well with the duo. "You see, Pheroze," as she wiped a few droplets of sweat off her freshly restored face, "This must be just a rumour. What do those old bumbling uncles sipping on their chai know about the real khabar. I am pretty sure this won't go through," she said, trying to calm her own doubts, and then convince her friend. "Tell me, Pheroze, does it make sense logistically, and from a heritage viewpoint?"
Sir PM was happy to take the stand. "Lady Flora, when several great architects and urban designers, most of whom hailed from the British Isles, were commissioned to plan these magnificent Gothic and Victorian landmarks in a tropical city for the public, a common feature that bound their plans was the focus on ventilation. This was a departure from the norms of buildings in their part of the world. From what I can recall of a chat with the very talented FW Stevens - who designed the terminus and the corporation building - his plans kept the city's humidity in mind," he shared.
"Not only did they 'Indianise' the style by including fine motifs and emblems that celebrated the Indian Subcontinent but they also created high arched windows and ceilings with plenty of avenues for cross ventilation that made possible for the sea breeze to pass through." By now Lady Flora was all ears. They had reached the iconic terminus and she gazed at the landmark with new-found reverence. "Pheroze, this will be tragic - if they were to go ahead and box up the fine architectural template of this place. I cannot recall even the historic St Pancreas station having to face this kind of predicament."
Sir PM's face looked wrinkled with worry. "I know that one thing is sure to happen if this is passed – the station will be less of a train terminus and more of a comfortable and very, very crowded sanctuary for all those who wish to nap or relax in 'AC' comfort. Heaven help us! Lady Flora do please consider my suggestion to retreat to Panchgani for the summers, will you?"
mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com
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The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).
Shiv Sena may have discovered a way to bend the BJP its way. The political precision with which the party snapped up the disgruntled son of a late BJP parliamentarian for fielding in the Palghar Lok Sabha bypoll has taken Uddhav's resolve of outsmarting the saffron frenemy to a decisive level. Uddhav wants to fly solo, escape BJP's trap for emerging as the single largest party in the state next year.
Palghar, a testing lab, may decide the fate of the strained relation between the two partners, which the Sena is using to try and carve a niche for itself by playing a detractor within and outside the government.
Uddhav has a spring in his step, as Sena prepares to run Palghar, and the guts to ask the BJP to withdraw from the race. It would be interesting to see who blinks first in a barter proposed by Uddhav. The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).
But will they reach a compromise? The possibility of the two parties backing out seem remote. There are others in the fray who too want the BJP defeated. The BJP has fielded a former Congress junior minister, Rajendra Gavit, who had started his political career with Janata Dal. Gavit came in amid high drama after Sena's nomination of BJP's late MP Chintaman Wanga's son Shrinivas surprised all. Gavit had lost two Assembly elections in a row for the Congress, and before that, he was unceremoniously asked to pull out for a BVS candidate in 2014 Lok Sabha polls.
'Well played, Sena'
The BJP camp does not admit it openly, but insiders say the Sena was tactically much superior this time. Sena explored the emotional turmoil in the Wanga family, which felt ignored by the BJP. The family members accused the BJP high command, including the CM, of not giving them audience. In response, Fadnavis blamed the poaching on Sena. He said it was unexpected of the ally, and that the BJP would win, with or without Sena.
The Palghar bypoll is important for the BJP to reaffirm its influence in the tribal belt. In the 2014 Lok Sabha elections, four out of the 48 seats were reserved for Scheduled Tribes, of which all went to the BJP, an unprecedented result. BJP had been contesting Dahanu (delimited and named Palghar) for many decades but with limited success.
In the Assembly, 25 of the 288 seats are reserved for STs. Of these, BJP won 11, followed by Congress's five, NCP's four, Sena's three and one each by CPI(M) and Bahujan Vikas Aghadi (BVA).
The results of Lok Sabha bypolls in Maharashtra should measure BJP's influence in the four years of government. Sena hasn't fielded in Gondia-Bhandara because its poor strength will never secure it a prominent place. Knowing his weakness in the region well, Uddhav paid an impromptu visit to Nagpur last week. Again, his was an attempt to create some nuisance for the BJP, where they expect BJP and NCP to fight straight.
Other factors in Palghar
For Sena, Palghar has turned out to be a sharper tool to cut the BJP to size. Uddhav has nothing lose in a skirmish that will be four-way in case some candidates don't pull out, while a victory would be a shot in the arm for Sena.
Former allies Congress and influential local outfit, led by Hitendra Thakur, BVA are also in the fray. BVA's role will be significant in splitting votes because it had won the LS seat in 2009, and lost the next to BJP, despite having its vote share of 30 per cent intact. In 2014, BJP increased its vote share by a whopping 25 per cent. BJP and Sena were together then, while Congress had withdrawn Gavit (now BJP's candidate) for supporting Thakur's candidate. BVA continues to be a big player in two urban Assembly segments of Vasai and Nalasopara, which Thakur and son represent.
If it were to ensure BJP's defeat, will Congress withdraw the candidature of former MP Damu Shingda this time? Congress insiders say supporting BVA may not be a good idea, and instead, the party should have a tacit understanding with the Sena for beating the BJP at the hands of the ally. But will that be acceptable to Congress, which is working to emerge as a strong alternative to BJP?
All eyes will be on developments taking place on Monday, the last day of withdrawal of candidatures.
Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com
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Illustration/RAVI JADHAV
Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.
The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.
Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.
But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.
There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.
This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.
In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.
Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com
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Illustration/Uday Mohite
Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.
Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.
Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.
Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.
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Illustration/Devdutt Pattanaik
In the beginning, people said homosexuality is unnatural. Then scientists showed them that hundreds of species of animals do indulge in homosexuality. So people started saying homosexuality may be natural, but it is best restricted to animals. Amongst humans, it is a social disease. This unscientific understanding is popularised by many religious leaders, who are clueless about science, though they insist that the Vedas/Quran/Agama/Tripitaka/Talmud are essentially scientific.
These religious leaders fall into two categories. The first category is the 'liberal' guru who says sex is great for spirituality, provided it is heterosexual. The second category is the 'conservative' guru who says sex is not great for spirituality, and if you must indulge in it, do it for babies.
A gay man heard how a broad-minded Indian guru presented sexuality as an integral part of spirituality, and so decided to read a bit more of the guru's writings. He was suitably impressed, there was a lot of talk of how exploring sexual desires authentically enhances spiritual growth. But then came the horror! When the guru spoke of sexuality, he was referring only to heterosexuality and was essentially promoting orgies as a tool to liberate yourself. He saw homosexuality as a social disease resulting from heterosexuality being suppressed when men are locked with men in monasteries and prisons and women are locked with women in nunneries. This was his fantasy, which he marketed as mystical knowledge of the East!
A lesbian woman came upon a guru who gave her a sympathetic ear, and who confidently asserted that ancient mystical sages (all male, of course) had revealed to him that natural sexual activity is for making babies only, and that pleasure is just nature's way of incentivising you to make more babies. It is the human perversion to bypass the baby-making and focus on pleasure. Such value placed on pleasure comes from stress, hormones, and a lack of spiritual grounding. He insisted that homosexuality is a social pathology, not a natural physiology. She could stay a single woman if she did not wish to be a man's wife, but she had to engineer her life towards spirituality rather than sexuality if she sought fulfilment and happiness. Her libido, he insisted, was in dire need of fixing!
Most of these gurus do oppose the criminalising of homosexuality, and so appear to be modern. However, they do see homosexuality as a deviance (or its Sanskrit equivalent), or a 'fluidity' that needs explanation, management and re-alignment. They mirror the homophobia directed at queer people (pandakas, napunsakas) that we find in ancient monastic orders such as Buddhism and Jainism. Their discomfort with queerness is similar to their well-disguised discomfort with gender equality: 'Women are as good as men, provided they put the man's needs first.' Essentially, these gurus preach qualified equality, where their personal comfort zone (heterosexuality, celibacy, masculinity) remains privileged.
It is important to recognise gurus as political figures. They are today clearly political vote banks, with a vast number of followers who do whatever the guru tells them to do. Hence the power of their spiritual discourses to influence social and political direction needs to be acknowledged.
We must also recognise the power of followers over gurus. Gurus are expected to be superhuman, and 'pure and pious'. We don't mind them dancing to Bollywood songs or playing golf. But if they were to talk too much in favour of sex and pleasure, we will see them as less than spiritual. In our hearts, many of us are convinced spirituality is an adversary of sexuality. We see Shiva who burnt Kama to ash. We refuse to see Shiva who was enchanted by Kamakshi and Mohini.
The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com
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Illustration/Uday Mohite
So let me just come to the point, dear reader — I have a problem with our Indian media journalists and scribes — my grouse is they just don't cover Bollywood adequately… Shouldn't there be much more media fanfare about our stars? Who wants to only see them in the movies? I want micro details about their lives — their idiosyncracies, food habits, holiday destinations, personal recipes for aloo paratha and Creme Brulee, and quotes from them about everything, should bombard our lives.
I mean let's just take Sonam Kapoor's Shaadi last week — here there's this huge star getting married, and I'm ignorant about who she's marrying, where the various wedding functions were held, who attended the 'mehendi', and stag party, who designed her 51 wedding outfits, what does she think of her hubby's Instagram pictures, what he thinks of hers, what Karan Johar and cousin Arjun Kapoor wore… Why don't I have all this vital information? Why didn't the media fill the virtual world, our broadsheets and the air waves with all this absolutely important news? Really not fair to deprive us of all this! Why are they wasting time writing about stone pelting in Kashmir and elections in Karnataka? Surely this is not as important as that. Totally mistaken priorities, I feel.
And why don't our media photographers shoot our Bollywood stars more in their private lives — why aren't they 'spotted' coming out of movie houses, multiplexes, gymnasiums and airports? Why aren't their tiny tots being 'captured' with their nannies, in parks, through the windows of their school buses, on their iPads. But, singly, my biggest problem is with our Indian advertisers and marketers. Guys come on, why aren't our film icons endorsing brand after brand in your advertising campaigns?
Why aren't copywriters in ad agencies saying to themselves, what is the one USP that my client's water purifier has over the competition? Is it a better germ killer? No… It's Hema Malini.
I mean, do you honestly feel that film stars should only act in movies, is that really enough? Like why can't we see SRK asking us if we know what he smells like in deo ads?
I mean, the great Amitabh Bachchan, I really feel we don't see him enough — are we satisfied merely watching him as a Gujarati in '102 not out', speaking with the same Bengali accent he had in 'Piku'?
Why doesn't his baritone and charisma come out at us through our TV screens, billboards, newspaper supplements and magazines? Surely we want to also see him advertise Direct-To-Home cable facilities in a Bengali accent, tell us that we can control the temperature on our Air Con at home, from our mobile phones while sitting at the airport, and convince us to visit Gujarat. Is that so difficult?
To sum up, I want to be Bolly-wooed much more. Or I will just boycott all brands that don't have a film star endorsing it. And stop buying newspapers that don't have many more Bollywood pages. We just aren't Bollywoodised enough as a country.
Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com
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Jagadamb refers to the ancestral deity Tulja Bhavani whose shrine sits in the mid-size city of Tuljapur in Osmanabad district. But, in present-day Maharashtra, the term Jagadamb rises above the geographical address. It is an embodiment of the feisty street-fighting youth, belonging to the Marathas or other backward castes, who owe their allegiance to a goddess who was also the motivation for Maharashtra's most-revered Chhatrapati Shivaji. Flashed on hooded T-shirts and pullovers, 'Jagadamb' has emerged topmost among the potent watchwords currently dominating popular discourse. Online sales and offline retail purchases across the state speak for the all-seasons connect of Jagadamb, which has takers irrespective of commemorative days and morcha schedules.
Abhijit Tarphe, a Dadar-based calligraphy artist, creates tees that occupy the fun space between political discourse, street lingo and social commentary. Pic/Ashish Raje
Apparel carrying longer mantras of Maratha loyalty — Ek Maratha Lakh Maratha, Hoy Maratha and Amhi Shivrayanche Sainik — have enjoyed cyclical demand, corresponding with the calendar of the 58 silent marches held last year. As the anecdote goes, Maratha T-shirts are in a "politically dormant" state at the moment. But fiery speaker (at the Maratha Kranti Morcha) and advocate from Aurangabad, Swati Nakhate Patil, feels T-shirts are effective communication tools. "What better reminder of the time when we took to the streets for reservations and equal terms? The identifiable catch lines recap our journey so far." T-shirt messages, she thinks, help in creating a family of volunteers. She'd know considering she is head of the Akka Foundation which has initiated a reform movement against socials ills like dowry and superstition among the Marathas. The foundation's signature T-shirt, wears a generic slogan – Sarvansathi Sarva Kahi – which indicates a wider fight for everyone's rights.
Swati Nakhate Patil, seen here with volunteers wearing their signature tee with the slogan, Sarvansathi Sarva Kahi. She heads the Akka Foundation which is fighting against socials ills. She has been one of the main speakers at the Maratha Kranti Morcha over the last one year
"The MarÄÂthÄÂs" is a collective term referring to an Indo Aryan group of Hindus, Marathi-speaking castes of warriors and peasants who created an empire, covering a major part of India. They are not alone in the fight for rights. Another rights movement that's currently finding a reflection on T-shirts through creative slogans, photographs and graphic designs concerns the Lingayat community. They are seeking legal recognition as a religion distinct from Hinduism. Inspired by the success of their counterparts in Karnataka, the Lingayats in Maharashtra (some of whom have thronged Mantralaya too) are pressing for their religious minority status on T-shirts, which sing paeans to 12th century social reformer, philosopher and statesman Basaveshwara.
The Killa brand of tees focuses on Maratha pride associated with Chhatrapati Shivaji, and his various forts
He rejected temple worship by replacing it with direct worship of Shiva in the form of the Ishtalinga necklace, the image of the linga set in a silver casket, to be worn at all times close to the heart. Little wonder that both, Basaveshwara and the Shiv linga prominently feature on the T-shirts. As a professor of history and a keen observer of progressive movement slogans, Satara-based Amrut Salunkhe points out an interesting contradiction in the Lingayat factions. Not all sub-sects recognise Basava as the founder, but they don't seem to mind the T-shirt — available in Kannada and Marathi typography — carrying the phrase, Jai Vishwaguru Dharmsansthapak Basaveshwar! "The dissident factions have not yet come up with a counter icon. At this point, two different T-shirt creatives wouldn't have helped in lobbying for the larger Lingayat brotherhood," Salunkhe feels.
Theme T-shirts honouring the men of letters in the Marathi cultural world have been in currency for two decades; a recent manifestation was seen during a death anniversary of late Namdeo Dhasal whose fans wore the poet-ideologue's world view on a memorial T-shirt. The Bharatiya brand made use of faces of popular litterateurs like PL Deshpande and Narayan Surve, just as it made good use of the Marathi Abhiman Geet, and distributed T-shirts on Ashadi Ekadashi, Holi and Ganesh Chaturthi. They fashioned kid-centric lyrical sequence tees on monsoon joys too. Bharatiya has now extended its T-shirt ideation to Hindi and is soon to come up with Tamil messages. Their fare was earlier vended at literary summits, before it grew popular online, somewhat in the provincial cosmos where the Killa T-shirts thrived. Designed by Malvan-based artist and JJ School of Applied Art alumnus Arun Amberkar, Killa garments focus on the fortresses built by Chhatrapati Shivaji. The iconic rajmudra (official signature) T-shirt has been a hit for over a decade. Amberkar calls the line "lovingly crafted, wearable and usable slivers of history."
Dadar-based calligraphy artist Abhijit Tarphe feels customised tees are a fun zone for current affairs to find a rightful space. His T-shirts displayed apt word play (Sonu, tuza mazhyavar bharvasa nay ka?) when RJ Mallishka had attacked the BMC. He captures the Mumbai commuter spirit in the line, Mili to BEST, Nahi Toh Next.
Tarphe also has a range of occasion-based T-shirts like the tricolour-filled Independence Day special or Gokulashtami's Aya Makhan Chor creative. It is another story that T-shirts for Gokulashtami and Holi usually are gifted by political party leaders, chiefly Shiv Sena Shakha Pramukhs.
Jai Bhim T-shirts as a community-building tool have worked well over the years, not just for the April 14 Babasaheb Ambedkar Jayanti or the December 6 Mahaparinirvan Din. The apparel also comes in handy for Buddha Jayanti and during any political rally Dalit groups organise. This year, a Goregaon-based youth association, designed a special T-shirt declaring Mazhi Chaityabhoomi, Swacchabhoomi (My clean Chaityabhoomi). It served two political purposes; an affirmation of the Swacch Bharat mantra, challenging the stereotypical notion of Dalits arriving from rural Maharashtra who converge at Dadar's Shivaji Park Chaityabhoomi and litter.
T-shirt messaging extends to a range of causes — Separate Vidarbha; Who Killed Judge Loya?; Make (Women Safe) in India; Rape Roko; India Against Corruption; Donate Eyes; Pinkathon run against breast cancer. It has also been used to add cohesion to groups (I am with Anna Hazare; Desh Me Narendra/ Pradesh Me Devendra) or merely declare strength (Dr B R Ambedkar: King Number 1) or sport a vibe (Dude Please, Thane is not Bombay!/ Delhi is about Mera Baap Kaun Hai, Mumbai is about Who I am). T-shirts can help start a conversation, from the polite to the political.
Sumedha Raikar-Mhatre is a culture columnist in search of the sub-text. You can reach her at sumedha.raikar@gmail.com
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The saddest thing is how the people responsible for moral policing are allowed to get away with it. Representational Image
I didn't watch the viral video featuring that young couple being abused and attacked by commuters on the Kolkata metro. I knew it would only upset me, like so many videos populating a million WhatsApp groups now do with depressing regularity. I also expected the faux outrage, followed by young men and women hugging each other publicly in acts of defiance to be documented for their Facebook pages.
That this didn't raise eyebrows a few hours after the furore died down is proof of how insensitive we have all become towards any attack on perceived acts of love. We live in a city that once routinely saw couples being attacked on Valentine's Day until the regressive folk responsible for the attacks realised it didn't get them brownie points. We also live in a city where couples holding hands have to deal with thousands of people eyeing them warily, as if the act of holding another human being's hand is alien to our culture. That this is the same culture that gave birth to the sculptures of Khajuraho is lost on millions of our countrymen who scan the streets for acts of intimacy that make them uncomfortable.
In 2015, a young man was stripped and brutally assaulted in public by right-wing activists in Mangalore who had a problem with him being in the company of a girl with different religious beliefs. They couldn't stand the idea of two young people choosing to ignore something as inane as religion in order to find a human connection. That same year, another young man in Kerala was beaten to death by a mob after being found in the house of a woman. To put this into perspective, there were a lot of people offended by what two adults were doing in the privacy of their own homes.
There's a streak of misogyny that runs through these attacks, too, of course, as anyone who remembers the 2009 attack on a pub in Mangalore will attest to. Young men and women were drinking alcohol, which, according to the clowns who routinely become spokespersons for our culture, was an insult to traditional Indian values. It's interesting how all these values involve men making decisions on behalf of women, worrying about their morality, taking it upon themselves to decide how women ought to behave in public for their own good.
What happened to the 13 couples and 35 other young men and women who were rounded up by the Mumbai police a couple of years ago following raids at hotels? They were all consenting adults who had simply checked into several hotels in Madh Island and Aksa. How can a supposedly civilised country justify the idea of policemen knocking on doors and taking couples into custody for choosing to spend time in a room together?
How do we reconcile something as barbaric and regressive as an 'anti-Romeo' squad? How do we make sense of people claiming to be offended by men and women kissing? How do people doing what evolution compels them to do offend other people? How do we explain to visitors that we live in a country where it's perfectly okay for policemen to ignore criminals and spend time patrolling public spaces in order to prevent men from being anywhere near women? And if this is how authorities believe they are protecting women from sexual harassment, what does that say about how millions of Indian men are taught to behave around women?
The saddest thing about these incidents is how the people responsible for them are allowed to get away with it. There aren't even slaps on the wrists, let alone repercussions that lead to any genuine change. People believe it's perfectly okay to harass a couple for hugging in public because they know that a mob can get away with murder. It's also why mobs do get away with murder so often in the world's largest democracy.
People who have problems with couples indulging in public displays of affection probably behave the way they do because they have never received much affection themselves. If you want to leave this country a better place than the way you found it, please do the right thing and hug your children, partners and loved ones more often. Also, please do it in public.
When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com
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It is the first weekend in Matheran and we hope to see a number of visitors sporting helmets while horse riding. The paper had reported about how a Mumbai resident had donated a sizeable number of helmets to the hill station, after a little girl suffered head injuries after falling from a horse in Matheran.
Horse owners have also bought helmets and will be providing it to the tourists while horse riding. We appreciate that a start has been made towards ensuring safety for riders. Yet, one hopes that the helmet rule does not run parallel with the helmet rule for bikers in the city. Here, we see that constant vigilance is needed to ensure that bikers wear a helmet. Police nakabandis are set up to catch those riding without a helmet and fines are imposed for the same. One should not need a supervisory body to ensure that riders actually wear a helmet. Horse owners need to be held accountable if their horses are being ridden by visitors without a helmet.
Tourists must understand that the rule is made in the interests of their safety. Good counsel needs to prevail and common sense must rule. Having said that, visitors must go slowly on horses. They should refuse to ride if there is no dedicated helper who will walk along with the animal. Wear closed footwear when you are riding as sandals and slippers are hazardous, especially when mounting a horse, and in case your feet slip out of the stirrup. Parents need to see that their child is with a helper who is in control of the animal.
Matheran horse owners want better roads, which is out of the control of visitors. Tourists and hordes of Mumbaikars who believe if-it-is-May-it-must-be-Matheran should take onus for their safety as far as possible. Wearing a helmet is a good beginning.
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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello
Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.
We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.
Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.
There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.
This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.
I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"
Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com
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Yesterday, this paper carried a front page report about a Malad resident called Abhijit Mukharji, 25, who was arrested for stalking a 26-year-old woman for eight years. The accused was released on bail five days after the woman lodged a complaint against him. While the court granted bail on strict restrictions, senior officers from the Mumbai Crime Branch have said they will be reviewing the case.
To elaborate, the crime branch arrested Mukharji, who worked for a famous search engine company, on May 3 and remanded in police custody till May 6. This man stalked the woman, hacked into her Tinder account and wiped out all the 'likes' on her account.
While there are restrictions put on the stalker, it is surprising that bail has been granted within five days, for harassment that went on for eight years. The report states that he had even met the woman in Mumbai. Post the meeting, where his conversation rang warning bells for the woman, he started threatening her and warning her not to talk to anybody else because he loved her. She finally filed a complaint.
Let us give stalking the seriousness it deserves. Very often, it is dismissed as casual or harmless. Women who are often told by people that they are imagining there is a stalker. Their fears and concerns are trivialised and they may also be accused to exaggerating the harassment or their discomfort with the stalking.
Making excuses for stalking, like he thought she was someone else, or that he was drunk and did not know he was stalking, are also inexcusable. Online stalking is dangerous and can escalate very quickly to offline situations. Stalking is harassment. It is a crime. It can lead to a dangerous obsession. Treat it with the gravitas it deserves and shut down stalking through severe punishment.
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Australia's new head coach and former batsman Justin Langer interacts with the media at Melbourne on May 3. He replaced Darren Lehmann. Pic/Getty Images
Australia have a great coach in Justin Langer to guide them through one of their worst cricketing crises. Correction: They have a batting great as coach. The majority of permanent coaches of the Australian cricket team were not Test greats. In fact, the last batting great to wear the coach's cap was Bob Simpson; their first ever coach.
It was under Simpson that newly-appointed coach Justin Langer made his Test debut for Australia — in the summer of 1992-93 — when the West Indies were still the number one team in the world. Langer will not forget it. How could he? The first ball he faced in Test cricket, off the swift Ian Bishop, landed firmly at the back of his helmet. The blow left him dizzy and dazed at the Adelaide Oval. Interestingly, he was also knocked down in his 100th Test — at Johannesburg in 2006 — when he was hit hard behind the right ear by South African Makhaya Ntini to play no further part in the match.
Much like that delivery, Langer's entry into international cricket in the early 1990s was hard. He expected to be on the flight with Allan Border's England troops in 1993, but he didn't find favour with the selectors. He only became a regular one-drop batsman for his country five years down the line, before combining splendidly with Matthew Hayden in the opening position.
He was part of the 1997 Ashes series in England, but did not feature in any of the five Tests. That did not stop him from playing the perfect team man. Mark Taylor was in the throes of a treacherous slump that got the critics dissecting every one of his innings. Langer and his skipper happened to be batting together in the side game against Derbyshire, who were captained by former teammate Dean Jones. Taylor slashed at one off Philip DeFreitas and Jones dropped the catch at slip. At the end of the over, Taylor exclaimed to his junior partner, "That's bloody it, mate. I just can't f****n play!" The young bull (that's what Taylor called Langer when he related this incident in his autobiography Time to Declare) refused to accept the negativity from his skipper. "Mark, that's bloody rubbish," Langer shot back and added, "Of course, you can play. You know that. Just watch the bloody ball really close, stick in here and it will come."
Taylor listened to Langer's advice and ended up hitting his first straight drive in six months to score 63 in 181 minutes. In the next game — the opening Test of the 1997 Ashes — Taylor helped himself to a second innings hundred. The following year, while Langer continued to deal with his in-out, in-out situations, he toured Pakistan where his teammates nicknamed him Arthur Morris.
In The Power of Passion, one of Langer's four literary works, he revealed that Morris (who was part of Don Bradman's 1948 Invincibles) used to be asked often by cricket lovers about how it felt to be in the same team as Bradman. Now, Morris happened to be at the non-striker's end when Bradman was famously bowled by Eric Hollies for a duck in his last Test innings at The Oval in 1948. The dismissal prevented The Don from ending up with a three-figure batting average. Morris used to remind his audience about the fact that while Bradman's duck was most talked-about, people forget that he scored 196 in that same innings. Similarly, Taylor's 334 not out is celebrated as an epic performance, but Langer scored a hundred in that innings — his first in Test cricket — at Peshawar, but it never gets talked about. Given the shared irony of their stories, the Arthur Morris moniker stuck.
Langer ended his career in 2006-07, when Australia claimed the Ashes back after England regained the urn in 2005. Gripping cricket notwithstanding, not many Australians will look back on that contest, their first Ashes series loss since 1986-87, with pleasure. While the Australians were playing poorly in 2005 and were made to follow on at Trent Bridge, my Australian friend Andrew Ramsey, who was reporting the series for The Australian newspaper, was asked to pen a piece for The Times in London.
The guest writer was critical of Australia's performance. As Ramsey left his room for the breakfast lounge in the team hotel at Nottingham, he bumped into Langer, who told him that he read the article. Ramsey was expecting a negative reaction, but Langer called Ramsey's analysis "spot on." He patted him on his shoulder twice and ran towards the elevator to join his teammates in the team bus.
Acceptance is a great trait to have. Langer has many more, developed ever since his 11-year-old eyes watched on television his Western Australian hero Dennis Lillee shatter Viv Richards' stumps off the last ball on Boxing Day in 1981 at Melbourne. Lillee's incredible inswinger made Langer yearn to play for Australia someday. Doubtless, he'll want to be a great coach now.
mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com
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The city is shaken up by the brutal murder of a young woman working with an upmarket chain of salons. In what has been dubbed as a case having parallels with the Sheena Bora murder, this beautician's body was kept in a car post the murder and then disposed off in marshy land at Wadala. Police teams are trying to recover the body, but have been unsuccessful so far.
It's time to focus on the reason for this murder. According to the police, two colleagues, who have been caught, killed the young woman because she refused to take back a notice sent to one of the accused because of his shoddy performance at work. Despite their entreaties, the victim had not relented about withdrawing a notice sent to one accused till the last day when his employment may have been terminated.
Both colleagues claim, according to reports, that the murder was done in the heat of the moment. The family of the accused, though, insist they are innocent. What has shocked the city is the triviality of the motive. A life has been lost simply because somebody was going to lose his job. As one tries to absorb this, a much smaller report recently was indication of a society, which is weaned on instant gratification and instant rage. A young gym owner was stabbed to death and his female friend hit with a beer bottle over a quarrel with a Disc Jockey (DJ) over which songs to play.
We have been seeing murders happening over slightest provocations. Bring back regard for human life, which has been cheapened considerably. Cherish patience, logic and encourage our children to think before they act. Put an absolute premium on human life. These seem like knee-jerk murders, where rage consumes the murderers, who are mostly ordinary men and women who have no criminal record. Speed kills and in more ways than one.
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A top Powai school found itself in a controversy after a lady school bus attendant accused the transport manager of molestation. For a couple of days now, this paper has been running reports about the molestation charge with the complainant saying that the man had harassed her earlier, too, but there was no cognizance taken of her earlier verbal complaints.
This case is interesting and we need to have an outcome here, because it is the protector who has become a molestation survivor. It is mandatory for institutions to have women bus attendants inside school buses. The rule has come in the wake of the molestations of girl students on school buses. All schools and their transporters who may be on contract have been told to abide by the rule to ensure safety of girls in buses. There are other rules such as GPS and CCTV in the buses. It is a matter of great shame that sexual harassment has become so rife that even little girls in school buses need to be protected. One must focus on the fact that an attendant, who is supposed to protect the children, has made allegations of being molested.
The school authorities must launch a thorough internal probe, even as the police are conducting an investigation. The survivor, having had the courage to go to the cops, needs to follow the case to its end. Though this happened outside the school bus, buses need to have a GPS and schools must install CCTV cameras in their premises, buses and outside the school so that footage can be used in cases like these.
A thorough follow up and quick action will assuage the worries and fears of parents who cannot be blamed for thinking their children are extremely vulnerable, given that an adult woman, who is like a caretaker in the school bus, has turned complainant herself.
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