Glen “Daddy-O” Bolton is a rapper, producer, executive, and all-around hip-hop Renaissance man. He formed the ground breaking Stetsasonic in 1981, and the group went on to release several classic albums and become the first great hip-hop band.
As a producer and remixer, he worked with everyone from Audio Two to the Red Hot Chili Peppers to They Might Be Giants. He was an executive at MCA and Motown, and continues to consult with a number of companies. And he’s still releasing music to this day. Daddy-O’s latest album, released this past May, is No Tablecloths.
See http://theciphershow.com/episode/244/ for full show notes and comments.
Joan is a writer who got her start in the 1990s, helping to create what came to be known as “hip-hop journalism” with her articles at places like Vibe and the Village Voice. Whether she was writing about the Mike Tyson trial, profiling TLC, or investigating the sex trade in Jamaica, Joan brought her keen, Bronx-raised sensibility to everything she touched.
Joan pioneered hip-hop feminism—and came up with the phrase “black girl magic,” to boot—in her classic 1999 book When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down. And now she has a brand new book, a reflection on Ms. Lauryn Hill’s classic debut album. It’s called She Begat This: 20 Years of the Miseducation of Lauryn Hill.
See http://theciphershow.com/episode/243/ for full show notes and comments.
Soundset is a festival in the Minneapolis area put on by the Rhymesayers label. It’s been running since 2008, and has grown from a show in a warehouse to a day-long outdoor event featuring some of music’s biggest acts.
This past May, we went to the festival to hang out and talk to the performers, and and this is the second of two episodes where you can hear the results. This time, you’ll find conversations with Murs, Nikki Jean, OG Grip, and Evidence. So sit back, relax, and enjoy the conclusion of The Cipher’s Soundset special.
See http://theciphershow.com/episode/242/ for full show notes and comments.
Soundset is a festival in the Minneapolis area put on by the Rhymesayers label. It’s been running since 2008, and has grown from a show in a warehouse to a day-long outdoor event featuring some of music’s biggest acts.
This past May, we went to the festival to hang out and talk to the performers, and on this episode and the next one, you’ll hear the results. This time, you’ll find conversations with Rapsody, Grieves, K-Salaam, Sa-Roc, and Prof. So sit back, relax, and enjoy the first half of The Cipher’s Soundset special.
See http://theciphershow.com/episode/241/ for full show notes and comments.
Kalyn is a rapper and the leader of the eclectic Denver-based group Wheelchair Sports Camp, who have garnered critical acclaim for their music and their energetic live performances almost since their founding in 2009.
Wheelchair Sports Camp - named after a real camp that Kalyn, who has brittle bone disease and has been in a wheelchair her whole life - used to attend, is a group that pushes the boundaries in sound and subject matter. Most performances consist of Kalyn, drums, and trumpet, and their latest album No Big Deal explores everything from gentrification to the pressure artists put on themselves to important social issues.
In addition to being a great rapper, Kalyn is also an activist, and now a politician. She participated in a big protest against the repeal of the ACA that had her and other activists taking over a senator’s office. And now she’s running - or rather, as she puts it, rolling - for Mayor of Denver.
See http://theciphershow.com/episode/240/ for full show notes and comments.
This week, we talk to a man who needs no introduction, Big Daddy Kane. Kane tells us about his legacy, dissing Erick Sermon, who really produced his first album, and tons more. This is a Cipher-ized, improved version of an episode that originally ran in 2013.
See http://theciphershow.com/episode/239/ for full show notes and comments.
MC Paul Barman first started making songs in the late 1990s, during his time at Brown University. His wild rhymes about topics like a slacker college student who becomes half man, half goat in order to become a star quickly caught the ear of legendary producer Prince Paul, who produced Barman’s 2000 EP It’s Very Stimulating. That project introduced Paul Barman to the hip-hop masses as a guy as likely to drop a reference to a Polish filmmaker as LL Cool J, and to write lyrics that incorporate elaborate rhyme schemes, acrostics, and even Morse code.
Since It’s Very Stimulating, Barman has released two full-length albums and several mixtapes. His brand-new album (((echo chamber))) is out Friday, May 18th on Mello Music Group.
See http://theciphershow.com/episode/238/ for full show notes and comments.
Phonte first visited us in early 2016, when we had a career-spanning interview. But now he’s back with No News Is Good News, an incredible new album that turns the rapper’s last several years of tragedies and triumphs into amazing art.
Phonte first came to most rap fans’ notice as a member of the critically acclaimed group Little Brother, and has since released an array of solo, duo, and group projects - most notably with Foreign Exchange. No News Is Good News finds Phonte reflecting on the deaths of close family members, the happiness brought by a new marriage, and what it’s like to possibly have more years behind you and in front of you. All of that, combined with Phonte’s incredible rhyming, makes for one of the best records of the year.
See http://theciphershow.com/episode/237/ for full show notes and comments.
Jean Grae was our show’s first-ever guest back in 2012. She is one of the finest rappers out there, and a great producer as well. But in recent years, she’s expanded her horizons even further, pushing into comedy, sitcoms, instructional albums, audiobooks, talk shows, variety shows, and even her own church.
Quelle Chris joined us in 2016. Since then, he’s released the acclaimed album Being You Is Great, I Wish I Could Be You More Often and the instrumental project Lullabies for the Broken Brain.
Now Jean and Quelle have joined forces for the incredible new album Everything’s Fine. The project has been met with critical raves from pretty much everywhere, and rightly so. It shows Jean and Quelle in absolute top form: rapping, singing, producing, and playing on a group of songs that respond to today’s often-frightening world with humor, sadness, and a reminder that when we tell people that everything’s fine, we almost never mean it.
See http://theciphershow.com/episode/236/ for full show notes and comments.
The Arsonists were a crew formed in Bushwick in the early 1990s. D-Stroy, who began his rap career in his early teens alongside famed DJ Tony Touch in the duo Touch and D-Stroy, helped to solidify a group that would come to consist of, among others, Freestyle, Jise One, Swel Boogie, and Q-Unique. After putting out several early singles, the group was the first hip-hop act to sign to Matador Records, a label better known for indie rock. They released their debut album As the World Burns in 1999.
An intense touring schedule and its attendant stresses put pressure on the crew, and it splintered after the 2001 follow-up Date of Birth. But the Arsonists are back with a new album, Lost in the Fire, and a reissued version of their debut. Lost in the Fire features a mix of old but previously unreleased material alongside new songs.
See http://theciphershow.com/episode/235/ for full show notes and comments.
Sage Francis and B. Dolan are both from Providence, are both rappers who have roots in spoken word, have toured and sporadically recorded together for years, and even share a label—the Sage-founded Strange Famous Records. But it has taken them until 2018 to release a full project as a duo: the Epic Beard Men.
Sage is a beloved underground rap veteran who has been releasing albums of his smart, introspective, and emotional music consistently since 2002, and touring the universe maniacally to support them—all while running Strange Famous. B. Dolan is an equally talented wordsmith whose solo work is as likely to give new life to old union hymn as it is to pay tribute to the Ol’ Dirty Bastard. The group has a new EP, Season 1, and an album on the way.
See http://theciphershow.com/episode/234/ for full show notes and comments.
Erick Sermon got his start alongside Parrish Smith as a member of the iconic duo EPMD. Starting with their debut single in 1987 and their first album the following year, the group released four classic LPs in a row - a nearly unprecedented run in a still-new genre - before splitting (for the first time) in 1993. At the same time, Sermon was instrumental in finding and introducing hit acts like Das EFX, K-Solo, Keith Murray, and Redman for his Hit Squad collective. After the breakup, Erick began a successful career as a solo artist and producer, culminating in his giant 2001 hit “Music.” As a producer, he’s helmed hits for LL Cool J, Jay Z, Illegal, Jodeci, and even Shaquille O’Neal. Most recently, Sermon completed a successful campaign to crowdfund a new album.
See http://theciphershow.com/episode/233/ for full show notes and comments.
Evidence first became known to most hip-hop fans as a member of Dilated Peoples. The group, which consists of Ev, Rakaa Iriscience, and the virtuosic DJ Babu, were beloved champions of hip-hop’s underground in the early 2000s.
After a number of successful Dilated projects, Evidence decided to go solo in 2007 with The Weatherman. Since then, he’s continued to release music on his own, with the group, and even with his longtime friend, the producer Alchemist, as the Step Brothers. His latest release is Weather or Not.
See http://theciphershow.com/episode/232/ for full show notes and comments.
Skyzoo is a fantastic Brooklyn rapper whose sophisticated lyrics and ear for soulful beats has long made him one of our favorites. Longtime listeners will no doubt remember that he’s been a guest on the show twice before. But this is different.
Sky approached us last month with the idea of having an in-depth conversation to tease out the themes and ideas in his awesome new record. In Celebration of Us, easily his most topical project to date, deals with police violence, gentrification, discrimination, validation, and ultimately what it means to be, as Sky is, a black man raising a black boy in America today.
He wanted to have the talk at a place near to his heart, so we met at Mike’s Coffee Shop. Mike’s is a Brooklyn diner that has been a staple of the rapper’s life since childhood, and remains one now that he has a child — his newborn son Miles — of his own.
See http://theciphershow.com/episode/231/ for full show notes and comments.
Ice is someone who surely needs no introduction…which won’t stop us from giving him one anyway. He got his start in music as part of L.A.s mid-1980s electro scene, emceeing and managing the stage at the noted club Radio, working with people like The Unknown DJ and Chris “The Glove” Taylor, and making a notable appearance in the 1984 film Breakin’.
Following the release of his classic song “6 in the Mornin’” and a fateful 1986 trip to New York City, Ice landed a deal with Sire Records, and began producing a string of huge-selling and groundbreaking albums like Rhyme Pays, Power, and O.G. Original Gangsta. In the 1990s, he turned his attention to acting as well, and appeared in dozens of films including New Jack City, Surviving the Game, Johnny Mnemonic, Trespass, Tank Girl, and more. Oh, and somewhere in there his rock band Body Count recorded the notorious track “Cop Killer.”
These days, Ice’s day job is starring as Detective Fin Tutuola on Law and Order: SVU. But he’s still making music, both on his own and with Body Count.
See http://theciphershow.com/episode/230/ for full show notes and comments.
Reggie “Combat Jack” Ossé was a lawyer, a blogger, a music executive, a father, and much more. But most people will remember him as a podcasting legend. The host of the eponymous Combat Jack Show raised the bar throughout his time as a media figure, becoming the most influential hip-hop podcaster and even the co-creator of an entire podcast network.
Ossé died on December 20, 2017. To celebrate his life, this is a revamped version of an interview we first did with him that aired in early 2013. It also includes tributes to Combat from some of the people who worked closely with him over the years.
See http://theciphershow.com/episode/229/ for full show notes and comments.
Bill Adler is…well, you probably already know who Bill is. Publicist, journalist, author, gallery owner, archivist - Bill has done it all. From helping to popularize acts like Run-DMC and the Beastie Boys to defending free speech alongside Luther Campbell to boycotting the Grammys with Public Enemy and the Fresh Prince, there’s very little Bill hasn’t done.
But most importantly, Bill Adler is a Christmas music obsessive. Every year since 1982, he’s created a mix of seasonal music that he actually likes, called the Christmas Jollies. And the past five years, we’ve been lucky enough to sit down with him to discuss the music on it.
You can find this year’s collection here, and several other past volumes can be found elsewhere on our SoundCloud page.
See http://theciphershow.com/episode/228/ for full show notes and comments.
Percee P is a rapper whose reputation and influence far outpaces his relatively small recorded output. The Bronx-born artist grew up right alongside hip-hop - he started rapping as a young kid right as the first rap records were coming out, and was in the mix as hip-hop was being created in his neighborhood. Whether it was watching DJ’s at park jams, being around noted graffiti writers, or watching up-and-coming groups rehearse their routines, Percee was right there.
His first record was 1988’s “Let the Homocides Begin,” which was featured on an EP put out by Gotham City Records. That track, along with others like “Now They Wanna See Me” and some guest verses on tracks by Lord Finesse, Kool Keith, and others built up Percee’s reputation as a pioneer of fast-rapping virtuosity.
In later years, Percee took to selling music - both his own and from his voluminous collection of early hip-hop tapes -all around New York City, particularly in front of the influential Fat Beats record store. Contacts he made there ended up getting him signed to Stones Throw, and he released his long-awaited debut album Perseverance in 2005, along with an album of remixes. At around that same time, video was unearthed of a 1989 battle between Percee and Lord Finesse, giving new shine to his early career.
And make sure to stay tuned after the Percee interview for a very special bonus. If you miss it, it’ll be the greatest mistake of your life.
See http://theciphershow.com/episode/227/ for full show notes and comments.
DJ Statik Selektah has been on his grind since he first started DJing in his very early teens. He made a name for himself as a mixtape DJ, but really broke out once he started making beats on his own. He has released seven solo albums, with his latest, 8, coming out this Friday, December 8th. Those records have featured guest appearances from almost everyone in hip-hop, from Kool G Rap and Bun B to Smoke DZA and 2 Chainz. In addition, he has released collaborative albums with Bumpy Knuckles, Termanology, Freeway, KXNG Crooked, Freddie Gibbs, and others.
As an artist and producer, Statik has played an important role in the careers of Mac Miller, Action Bronson, and countless other up-and-coming stars. And he has had a special role as a big brother for Joey Badass and his Pro Era crew, serving as the collective’s tour DJ for years and producing many of their best-loved songs.
See http://theciphershow.com/episode/226/ for full show notes and comments.
Mathematics, or Allah Mathematics, is a DJ and producer who has been part of the Wu-Tang Clan since before there was a Wu-Tang Clan. He DJ’d for GZA in the early 1990s, back when the rapper was known as “The Genius.” At the same time, Mathematics kept seeing a young rapper named Rakeem around town. That guy, Rakeem, would soon become the RZA, and would assemble an all-star team of MCs to form one of the most influential rap groups of all time.
Mathematics DJ’d for almost all of the Wu members at different points, as well as spinoff groups like Red and Meth. But starting in the mid-1990s, he really made his mark as a producer. Mathematics produced some of the best-loved songs from Wu-related projects, including “Mighty Healthy,” “Cobra Clutch,” “Wu Banga 101,” and more. He also designed the crew’s famous “W” logo.
In recent years, he’s been heavily involved with group albums like Iron Flag and A Better Tomorrow. All of this culminated in his new album, Wu-Tang: The Saga Continues. The record features contributions from almost every member of the Clan, and is executive-produced by RZA himself.
See http://theciphershow.com/episode/225/ for full show notes and comments.
kris ex is a writer who played a key role in the creation of hip-hop journalism. Starting in the early 1990s, his work at Ego Trip, One Nut, Rolling Stone, The Source, and especially Vibe helped set the template for what it meant to write about rap music and the people who make it. His eye for the perfect detail, love for the music and culture, and willingness to challenge pretty much anyone and anything has made him arguably the most well-regarded writer in a peer group that includes many heavy hitters.
kris has profiled stars like Jay Z, Aaliyah, The Lox, and A Tribe Called Quest; and reviewed the highest of high-profile albums by the likes of Nas, Kendrick Lamar, and Eminem. He also co-wrote 50 Cent’s 2005 memoir. These days, you can find him writing for Mass Appeal, Pitchfork, and Billboard, among other outlets.
See http://theciphershow.com/episode/224/ for full show notes and comments.
Lil’ Flip is a Houston rapper and member of DJ Screw’s famed Screwed Up Click who has more than earned his title of the “Freestyle King.” Flip began his career in the late 1990s, mixing solo and group projects, mixtapes, guest appearances, and, of course, countless freestyles. But it was his 2004 album U Gotta Feel Me, which included the massive hits “Game Over” and “Sunshine,” that really launched him to stardom.
Since then, Flip has had his share of ups, downs, and notorious beefs, but he’s never stopped making great music. His latest project is the K EP.
See http://theciphershow.com/episode/223/ for full show notes and comments.
Kevin “DJ Head” Bell is a producer and DJ from Detroit who played a big role in that city’s scene during the mid-to-late 1990s. At that time, an insanely talented group of people were getting together for open mics, beat battles, ciphers, and shows. Among that crew were people who would go on to be some of the most popular and well-regarded rappers and producers of all time, including J. Dilla and Eminem.
DJ Head worked closely with them both. He was also tight with the late rapper Proof, a member of D12 and pillar of the scene, in addition to being best known as Eminem’s best friend and longtime onstage foil. DJ Head played a big part in Em’s meteoric rise—producing, programming drums, and DJ’ing for the rapper as he went from underground battle rapper to international superstar. He also produced songs for Xzibit, D12, Obie Trice, and more.
See http://theciphershow.com/episode/222/ for full show notes and comments.
Jack Thriller is a comedian who most people know from his time doing funny—and often outrageous—interviews on 50 Cent’s website ThisIs50. He’s talked to everyone from porn actors to fellow comedians to rap stars to athletes and beyond.
But in addition to that, Jack is also a talented sketch comedian and writer, stand-up, and even a singer. He got his start working as a writer, warm-up act, and all around right hand man to comedian Lil Duval, before breaking out on his own and moving from Atlanta to New York City. 50 quickly noticed his popular skits, and soon Jack had become the website’s breakout star.
He quickly moved from the computer screen to the television screen, starring in several seasons of Nick Cannon’s show Wild ‘N Out. And his latest venture is a singing career. He’s released a song with Nore, and has shared the stage with Musiq Soulchild.
See http://theciphershow.com/episode/221/ for full show notes and comments.
E.S.G. is a Houston rapper best known for his association with DJ Screw and the Screwed Up Click. He was the very first artist to have Screw remix a song on a commercially-available project, with a Screwed up version of “Swangin and Bangin” on his 1994 album Ocean of Funk.
E.S.G., a talented freestyler who can rap off the top of his head for hours at a time, found regional success with that album and its followup, 1995’s Sailin’ Da South, before legal issues stalled things for several years. But he returned stronger than ever in 1998 and, since then, has released a steady stream of solo and collaborative projects, including an influential duo album with Slim Thug that helped bring the warring north and south sides of Houston together.
See http://theciphershow.com/episode/220/ for full show notes and comments.
Kurtis Blow was the first rap superstar. He was the first rapper to be signed to a major label and the first one to have a gold single with “The Breaks.” But his career is a whole lot more than just that song and “Christmas Rappin’.” Even before stardom, Blow was a busy DJ and performer who was sharing bills with the likes of old-school legends DJ Hollywood and Eddie Cheeba.
And after he broke big—with the help of his manager Russell Simmons—Blow stayed on top, releasing a long string of albums through most of the 1980s and also producing for other artists like the Fat Boys and Oran “Juice” Jones.
See http://theciphershow.com/episode/219/ for full show notes and comments.
Richard “Crazy Legs” Colon is a b-boying pioneer and the longtime president of the Rock Steady Crew, arguably the most famous b-boy crew in the world. He joined the Rock Steady crew in its early days, and quickly rose to become its leader. As early as 1981, he was already getting press attention as one of the best dancers out there in the still-new form of b-boying or breaking, and he invented many of the moves we still associate with breaking today.
Crazy Legs and the Rock Steady Crew would make a series of genre-changing appearances: in movies like Wild Style, Beat Street, and Flashdance; bringing hip-hop to Europe as part of the historic New York City Rap Tour; and even recording a hit album.
After b-boying’s popularity dipped and many of the original dancers retired, Crazy Legs reinvigorated the Rock Steady Crew in the early 1990s, spurring them and b-boying on to even greater heights - performing at Lincoln Center, winning a prestigious New York Dance and Performance Award, and much more.
We spoke to Crazy Legs at on on the playground AND in the Principal’s office at PS 163 in on the Upper West Side, the home of Rock Steady Park.
See http://theciphershow.com/episode/218/ for full show notes and comments.
Fred is a rapper who can say that hip-hop is in his blood, literally. Not only is he from the home of hip-hop, the Bronx, but his father also used to work at the NYC nightspot The Tunnel, whose hip-hop nights on Sundays, presided over by Funkmaster Flex, were legendary.
So it only makes sense that Fred would grow up to become one of the best rappers out there. His intricate punchlines and metaphors are the stuff of mixtape legend, and his talent has led him to collaborate with some of the biggest rappers, DJs, and producers in the game. Fred’s talent has also been recognized by XXL, who annointed him one of their Freshman class in 2011, alongside Mac Miller, Meek Mill, Yelawolf, and some guy named Kendrick. Fred’s newest project, out this past August, is Gordo.
See http://theciphershow.com/episode/217/ for full show notes and comments.
Rock is best-known for being one half of the seminal rap duo Heltah Skeltah, along with his partner, the late Sean Price. The duo, also known as Rock and Ruck, released three albums and were a key part of NYC’s influential underground rap crew the Boot Camp Clik.
As a solo artist, Rock has released a number of great mixtapes - including our favorite, 2010’s Rockin’ Out West. But despite several record deals, he’s never released a proper solo album, until now. Rock has just released ‘Rockness A.P.’ on Digital Deja Vu Records. The “A.P.” stands for “after Price,” and the album shows Rock making his way in the world after the 2015 death of his partner.
See http://theciphershow.com/episode/216/ for full show notes and comments.
Lecrae is a rapper whose Christian faith is central to his music and his message, but don’t dare call him a “Christian rapper.” From the very beginning, as you’ll hear, Lecrae was determined to be both, as he frequently puts it, “authentically hip-hop and authentically Christian,” and his music, which has incorporated everything from Southern rap sounds to soul samples to rock guitars, shows that he has stayed true to that aim.
Lecrae has managed to expand far outside the confines of religious music in order to bring his message to a mainstream audience—as you can tell from his number one, gold-selling album, two Grammys, and best-selling memoir.
Lecrae’s brand-new album, All Things Work Together, is out September 22nd.
See http://theciphershow.com/episode/215/ for full show notes and comments.
Trae is a true Houston rap legend who got his start as a member of DJ Screw’s Screwed Up Click. Since the late 1990s, he has been sharing his street stories using his one-of-a-kind voice. Through countless mixtapes and albums, he has helped shape the sound and focus of his hometown scene, and played a large role in bringing it to the attention of the wider world. But Trae is not only notable for his rapping. In 2008, the city of Houston awarded him his own day, and Trae Day has become an annual tradition.
His latest project is Tha Truth, Pt. 3.
See http://theciphershow.com/episode/214/ for full show notes and comments.
Welcome to a special episode of The Cipher. This is an episode dedicated to Houston. Like countless people around the world, we were devastated by news of Hurricane Harvey and its effects on the city. If you’re a regular listener, you’ve noticed that we have many episodes discussing Houston music and culture with the city’s artists, businesspeople, and authors.
So, because of that love for Houston’s music, culture, and most of all its people, we decided to reach out to three H-town rap legends and find out what’s really going on in the storm and its aftermath, and to find out what you can do to help. We caught up by phone with Trae tha Truth, Killa Kyleon, and Z-Ro. All three have been involved in recovery efforts —in fact, you may have seen Trae on the news, rescuing people by boat. And all three have seen first-hand the devastation the storm has caused.
See http://theciphershow.com/episode/213/ for full show notes and comments.
Bobby Brown is one of the foremost stars of modern r&b. Starting out with his childhood pals Ricky, Michael, Ronnie, and Ralph, he formed New Edition, one of the biggest groups of the era. But that was only the beginning. Bobby became a megastar with his 1988 solo album Don’t Be Cruel, whose hits like “My Prerogative” and “Every Little Step” helped usher in the New Jack Swing phenomenon. Following several years of nearly non-stop touring, his followup LP, 1992’s Bobby, continued the streak with the hits “Humpin’ Around” and “Good Enough.” Today, following years of New Edition reunions, reality TV, a memoir, and much more, Bobby is back to his first love—performing.
We talked to Bobby about growing up in Boston, highlights of his time with New Edition, finding his footing as a solo artist, his relationship to hip-hop through the years, and much more.
See http://theciphershow.com/episode/212/ for full show notes and comments.
Divine, as he is fond of saying, has gone “from crack to rap to tech.” His wild and inspirational story starts in Newport, Rhode Island, where he started dealing drugs just as the crack epidemic took hold—and also as hip-hop was starting to blossom.
It wasn’t until years later, as he was finding his way out of the criminal life, that Divine let his passion for music take hold, and began his career as a rapper. But a chance meeting over Twitter with venture capitalist Ben Horowitz would take him on a whole new adventure.
Divine is now a coveted speaker at tech events, a startup founder himself, and still an emcee, as anyone who has listened to his 2014 album Ghetto Rhymin’ will attest.
See http://theciphershow.com/episode/211/ for full show notes and comments.
Orville “Shaggy” Burrell was raised in Jamaica, but started spending most of his time in Flatbush, Brooklyn starting in his late teens. It was in the streets of Flatbush that he began to turn his talent for creating on-the-spot rhymes into a career, performing at block parties and clubs and recording his first few singles.
One of those early songs, a cover of the Folkes Brothers’ “Oh Carolina,” became a huge hit in 1993, particularly in the UK, and really launched Shaggy’s career. He went on to have a giant hit in 1995 with “Boombastic,” and then had world-beating success with his 10 million-selling 2001 album Hot Shot, which contained the hits “Angel” and “It Wasn’t Me.” Since then, he has continued having big songs, experimenting, and making great music. His latest hit is the song “Seasons,” featuring OMI.
See http://theciphershow.com/episode/210/ for full show notes and comments.
Aldrin “DJ Toomp” Davis began his career as a DJ and producer for early Atlanta rap acts like Raheem the Dream and MC Shy-D. But it was when he met a friend’s cousin named Clifford Harris that things really got started. Harris rapped under the name Tip—which he would later change to T.I. to avoid confusion, after signing to the same record label as Q-Tip.
T.I. and Toomp would together sell millions of records, create classics, and even help start a whole new genre. A whole new generation in Atlanta and beyond would take inspiration from the sound and title of Toomp and T.I.’s 2003 album Trap Muzik, and a style bearing that name would come into being.
But that’s far from the end of Toomp’s accomplishments. He also played a key role in the creation of Kanye West’s 2007 album Graduation, and a whole lot more besides.
See http://theciphershow.com/episode/209/ for full show notes and comments.
Tom is the “Tommy” in Tommy Boy Records—he founded the label in 1981. After several early hip-hop and dance records, the label found success with “Planet Rock.” But it was in hip-hop’s Golden Age of the late 1980s and early 90s that the label would really blow up, signing acts like Queen Latifah, Digital Underground, House of Pain, Coolio, Naughty by Nature, and De La Soul.
Silverman also founded the New Music Seminar, the influential and long-running music conference whose annual rap and DJ battles would become the stuff of legend. His latest project is Tracklib, a whole new way of dealing with sampling.
See http://theciphershow.com/episode/208/ for full show notes and comments.
Ron is a producer who is best known for his time as part of Bad Boy Records’ Hitmen production collective. Ron teamed up with Deric “D Dot” Angelettie, Diddy, Stevie J, and Nashiem Myrick to create iconic hits for Biggie, Mase, Diddy, Faith Evans, Mary J Blige, The Lox, and many more. After that run ended, Ron made beats for the likes of Beyoncé, Aretha Franklin, and Luther Vandross.
Ron is also a hip-hop historian and documentarian, and has made several films dealing with unjustly ignored aspects of hip-hop’s history. Most notable among these is the documentary Founding Fathers, which deals with the mobile DJ scene of the 1970s in Brooklyn and Queens. Any fan of the genre needs to see the movie in order to understand that there was a lot more to DJing in that era than just what was happening in the Bronx.
See http://theciphershow.com/episode/207/ for full show notes and comments.
Nana Ashhurst, formerly Carmen, played a key role in the history of hip-hop’s most iconic label, Def Jam, and in the career of its co-founder Russell Simmons. Of course, before that, she met Malcolm X through her activist parents and ran revolutions in Grenada—no big deal.
She joined Def Jam in the 1980s as Russell’s assistant, but quickly worked her way up to president. While there, she also oversaw Russell’s expansion into fashion, movies, and comedy with properties like the fashion label Phat Farm and the TV show Def Comedy Jam.
Nana oversaw Def Jam in the early 1990s, right as gangsta rap was beginning to take over the industry, and she has some valuable insights into how and why that happened. She also, as you’ll hear, has a fascinating political background and family history that informed her work in hip-hop.
See http://theciphershow.com/episode/206/ for full show notes and comments.
Ernest Dickerson is a director, cinematographer, and writer who has played a key role in some of the best and most important film and television of the past four decades. He got his start in the mid-1980s as the cinematographer on movies by his NYU film school pal Spike Lee. Ernest show every one of Spike’s movies up through 1992’s Malcolm X—a historic run that included She’s Gotta Have It, Do the Right Thing, and Jungle Fever, just to name a few.
Ernest struck out on his own with a hip-hop cinema classic, 1992’s Juice. The film, about four Harlem teenagers who slowly get dragged into a perilous situation, featured Tupac Shakur in his first starring film role—and also had cameos from hip-hop figures of the time like Treach, Queen Latifah, Red Alert, and Yo! MTV Raps hosts Fab 5 Freddy, Ed Lover, and Doctor Dre. A 25th anniversary edition of the movie, with tons of never-before-seen extras including an alternate ending, is available now.
But that’s not nearly all of Ernest Dickerson’s story. He has directed other great films like Surviving the Game, Demon Knight, and the Snoop Dogg-starring Bones. And he has helmed notable episodes of great TV series like The Wire and The Walking Dead. His latest project, out now on the festival circuit, is Double Play.
See http://theciphershow.com/episode/205/ for full show notes and comments.
Stevie Stone is an emcee who is part of the Strange Music family. However, his gravely voice and powerful vision make him stand out even among that talented crew. Stevie started out signed to Eazy-E’s Ruthless Records, but quickly joined the Strange family—an appropriate move, since for his very first show, he shared the stage with the label’s co-founder and flagship artist Tech N9ne.
Since then, Stevie has made a series of powerful and often experimental albums, including 2015’s Malta Bend, which explored his mother’s childhood in the small Missouri town of that name. His new album, out this past Friday, is Level Up.
See http://theciphershow.com/episode/204/ for full show notes and comments.
Alan is the head of rock and urban at Entertainment One Music, a record label you may know better by the name it had until 2009, Koch Records. Koch is a label that had hits with veteran artists like Fat Joe’s Terror Squad, KRS-One, The Game, and Snoop Dogg; while also breaking new artists like Unk, Rich Boy, and even a then-new DJ Khaled. Hip-hop fans will remember the period in the mid-2000s where they had huge hits with Jim Jones, the Ying Yang Twins, Unk, Khaled, and more.
But Entertainment One is only a part of Alan’s story. He started out at Sony getting the Fresh Prince his first millions, and then worked at Relativity Records in the early 1990s just as the label was first getting into hip-hop, with artists like Fat Joe, the Beatnuts, and a young guy out of Chicago who called himself Common Sense. Alan was also responsible for helping to make then-regional acts like Three 6 Mafia and 8Ball & MJB rise to national prominence. He even played a key role in Eazy-E’s Ruthless Records during the period of its greatest success.
See http://theciphershow.com/episode/203/ for full show notes and comments.
Rocky is the head of the Universal Hip-Hop Museum, a new and exciting project to share the history of hip-hop both in real life and in the virtual world. But his history goes way deeper than his current efforts.
Rocky learned to DJ in the Bronx of the 1970s, as hip-hop was coming of age. His cousin, the great Pete “DJ” Jones, gave Rocky his start, and Rocky ran with it. He moved from DJing to promoting parties to getting into the record business, discovering talents like Teddy Riley and Grand Puba.
See http://theciphershow.com/episode/202/ for full show notes and comments.
Jay is the host of the longest-running hip-hop radio show ever, The Underground Railroad on New York City station WBAI. He’s had the show since 1991, and helped create the template of what an underground mix show is supposed to be. He also had arguably first hip-hop blog way back in 1997 with hiphopmusic.com.
But Jay is perhaps best known as a pioneering video blogger. His video series Ill Doctrine, which deals with hip-hop, politics, cats, and lots more, has garnered millions of views, and many of the entries have gone viral, including now-classic video essays like “How To Tell Someone They Sound Racist.”
See http://theciphershow.com/episode/201/ for full show notes and comments.
This is episode 200, and features a return from Kevin Coval. However, since it is our 200th, our producer Josh got Kevin, who’s also a big fan of the show, to turn the tables without us knowing and interview the show’s host Shawn. So if you’ll excuse a little self indulgence here’s the episode 200 with Kevin Coval, Shawn Setaro AND Josh Kross.
Kevin is a poet and educator who is the artistic director of Young Chicago Authors, and the author and editor of a whole bunch of great books. The latest of these is A People’s History of Chicago. The book, true to its title, covers the entire history of the city, while focusing on the experiences and victories of its working people and those struggling for justice. The book’s foreward is by a young artist who has learned a lot from Coval, Chance the Rapper.
See http://theciphershow.com/episode/200/ for full show notes and comments.
Shawty is an influential producer best-known for his work with Jeezy and Gucci Mane. He has been one of the most important beatmakers ever to come out of Atlanta, and he played a key role in developing the sound of trap music - a sound that is as now close as the nearest radio station or passing car.
Shawty started out as a part of Atlanta’s bass music scene, but his diverse influences (and a mistake in the studio) changed his sound, and he developed a new style that would blossom into trap. While you can hear the beginnings of his style early on, it was his work with Jeezy, starting back when the rapper was still called Lil’ J, that pushed Shawty into the spotlight. In addition to his work with Jeezy and Gucci, Shawty Redd has made beats for Lil Jon, Pastor Troy, Snoop Dogg, Pusha T, and many more.
See http://theciphershow.com/episode/199/ for full show notes and comments.
Skeff is a producer and engineer who worked on some of the best hip-hop to come out of New York in the 1980s and 90s. He started out as the in-house engineer for the label Strong City Records and its associated recording studio, both of which were run by the legendary Bronx DJ Jazzy Jay.
Skeff has worked on records by Brand Nubian, De La Soul, Mos Def, Heavy D, MC Serch, D-Nice, Busy Bee, Diamond D, Tragedy, and countless others. But he is perhaps best known for his work with A Tribe Called Quest. On the group’s classic second and third albums, The Low End Theory and Midnight Marauders, Skeff was one of only two non-group-members to produce songs—the other one was Large Professor. Skeff also worked very closely with the late Phife Dawg in the vocal booth, helping to turn Phife into the iconic rapper he is remembered as today.
See http://theciphershow.com/episode/198/ for full show notes and comments.
Martin is the brains behind the website Rap Analysis, and the author of the upcoming book The Artistry of Rap Music. He’s a trained composer and musician who looks at rapping from a perspective that should be common but sadly is all too frequently missing from discussions around hip-hop: as music.
Martin’s examinations of rappers’ deliveries, phrasing, and styles are second to none, and will have you listening to your favorite artists in a whole new way.
See http://theciphershow.com/episode/197/ for full show notes and comments.
DJ EFN has done it all in hip-hop: hosted mixtapes, put out albums, managed acts, owned a clothing store, run a marketing company, been on the radio, and more.
But now, there are two major projects that have vaulted EFN into the spotlight. First, there’s his Coming Home documentary series, where he travels around the world and discovers different countries through the lens of their hip-hop scene. The newest edition in the series is Coming Home: Vietnam.
Second, EFN created and co-hosts with Nore the wildly popular Drink Champs podcast. The show has wild, booze-fueled conversations with hip-hop’s elite, including Diddy, 50 Cent, Ice T, and dozens of others.
See http://theciphershow.com/episode/196/ for full show notes and comments.
Bill Stephney grew up playing in bands, but found his real intro to the music business in college, when he got involved in Adelphi University’s radio station WBAU. He became the music director as well as an on-air personality, overseeing a crew that included a young Chuck D, Flavor Flav, Doctor Dré, and more. Out of those connections, he became a key member of the legendary production collective The Bomb Squad, best-known for their game changing work with Public Enemy.
After college, Bill went to work as the first employee of a new record label called Def Jam, co-founded by his longtime friend Russell Simmons. Bill’s job was to get the label’s artists on the radio—something that sounds comparatively simple today, but was bordering on impossible back in 1985.
After his time at Def Jam, Bill went on to found two record labels, produce albums for comedy legend Paul Mooney, act as music supervisor for movies like CB4 and Boomerang, and even partner with Chris Rock on a humor newspaper.
See http://theciphershow.com/episode/195/ for full show notes and comments.